"Pour un basier! - Version for Voice and Orchestra, Full Vocal Version" by Francesco Paolo Tosti, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco had its release date on 2003. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Pour un basier! - Version for Voice and Orchestra, Full Vocal Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 22 in Cantolopera: Tosti's Famous Romances, Vol. 2 by Francesco Paolo Tosti, Stefano Secco, Antonello Gotta, Compagnia D'Opera Italiana. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Pour un basier! - Version for Voice and Orchestra, Full Vocal Version is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pour un basier! - Version for Voice and Orchestra, Full Vocal Version by Francesco Paolo Tosti, Compagnia D'Opera Italiana, Antonello Gotta, Stefano Secco is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca) | Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera, Richard Leech | D Major | 1 | 10B | 131 BPM | ||
| Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
| Couplets: "Votre toast, je peux vous le rendre" | Georges Bizet, Robert Massard, Choeurs Rene Duclos, Orchestre de l'Opéra National de Paris, Georges Prêtre | E Minor | 5 | 9A | 80 BPM | ||
| Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] | Ruggero Leoncavallo, José Cura, Philharmonia Orchestra | E Minor | 2 | 9A | 88 BPM | ||
| La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
| Die Walküre, WWV 86B, Act I: Winterstürme wichen dem Wonnemond "Siegmund's Love Aria" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
| Revaux & François / Arr Schifrin: A Tribute to Hollywood Part 1: My Way | Claude François, Jacques Revaux, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 2 | 7B | 134 BPM | ||
| Sogno (Piano Accompaniment Version) | Francesco Paolo Tosti, Alberto Mondini | A♭ Major | 1 | 4B | 142 BPM | ||
| Norma / Act 2 Scene 1: "Si, fino all’ore estreme" (Critical Ed. Maurizio Biondi and Riccardo Minasi) | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Major | 5 | 7B | 135 BPM | ||
| Vaga luna che inargenti (Orch. Faris) | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| L'Africaine / Act 4: Mi batte il cor...O Paradiso | Giacomo Meyerbeer, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | F♯ Major | 4 | 2B | 90 BPM | ||
| Aida / Act 1: "Se quel guerrier io fossi!...Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A Minor | 0 | 8A | 118 BPM | ||
| Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | F Major | 4 | 7B | 140 BPM | ||
| Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
| Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
| Кармен, Act II: "Votre toast je peux vous le rendre" (Эскамильо, Фраскита, Мерседес, Кармен) | Жорж Бизе, Государственный академический камерный оркестр России, Константин Орбелян, Dmitri Hvorostovsky, Марнье Брекенридж, Виктория Смирнова, Анастасия Чикаева | B♭ Major | 3 | 6B | 175 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| A vucchella, "Arietta di Posillipo" (Orch. G. Chiaramello) | Francesco Paolo Tosti, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | D Major | 0 | 10B | 78 BPM | ||
| Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
| Santa Lucia | Teodoro Cottrau, Enrico Caruso, La Scala | E♭ Major | 1 | 5B | 101 BPM | ||
| "Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
| A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM | ||
| Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 1 | 12B | 72 BPM | ||
| Granada (Arr. Chichon) | Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 3 | 10B | 82 BPM |