Darius Milhaud, Jean-Marc Fessard, Eliane Reyes's ' "Scaramouche, Op. 165d: III. Brazileira (Version for clarinet and piano)" was released on its scheduled release date, September 28, 2010. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Scaramouche, Op. 165d: III. Brazileira (Version for clarinet and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Darius Milhaud, Jean-Marc Fessard's "Milhaud: Suite for clarinet, violin and piano" album is number 7 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Scaramouche, Op. 165d: III. Brazileira (Version for clarinet and piano) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Scaramouche, Op. 165d: III. Brazileira (Version for clarinet and piano) by Darius Milhaud, Jean-Marc Fessard, Eliane Reyes to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | ||
| Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
| Elegy No. 3, "Romanza Patetica" | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Major | 0 | 11B | 71 BPM | ||
| Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Café Music: II. Rubato, andante moderato | Paul Schoenfield, Lev Polyakin, Charles Bernard, Frances Renzi | E Major | 0 | 12B | 81 BPM | ||
| Saudades do Brasil, Op. 67: Botofogo | Darius Milhaud, Alexandre Tharaud | D Major | 0 | 10B | 138 BPM | ||
| Ballade | Eugène Bozza, Balthasar Hens, Hsiao-Yen Chen | E♭ Major | 2 | 5B | 95 BPM | ||
| Galop | US Air Force Band of the Golden Gate, Dmitri Shostakovich, Hunsberger | G Minor | 6 | 6A | 88 BPM | ||
| Háry János, Op. 15: II. Viennese Musical Clock | Zoltán Kodály, Hungarian State Symphony Orchestra, Ádám Fischer | E♭ Major | 1 | 5B | 132 BPM | ||
| Adams: Two Fanfares for Orchestra: II. Short Ride in a Fast Machine | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 5 | 6B | 146 BPM | ||
| Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM | ||
| After You, Mr. Gershwin ! | Bela Kovacs, André Moisan, Jean Saulnier | E♭ Major | 0 | 5B | 113 BPM | ||
| Sonata for Bassoon & Cello in B-Flat Major, K. 292: I. Allegro | Wolfgang Amadeus Mozart, Matthias Rácz, Rafael Rosenfeld | B♭ Major | 1 | 6B | 132 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
| La création du monde, Op. 81b - Suite de concert en ré: Romance: Tendre et doux | Darius Milhaud, André Previn, Ani Kavafian, Julie Rosenfeld, Toby Hoffman, Carter Brey | D Minor | 0 | 7A | 122 BPM | ||
| Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Major | 0 | 5B | 126 BPM | ||
| 5 Pieces for String Quartet: No. 5, Alla Tarantella | Erwin Schulhoff, Aviv Quartet | A Minor | 2 | 8A | 80 BPM | ||
| Sonata for Flute and Piano (Orchestrated by Sir Lennox Berkeley): I. Allegro malinconico - Remastered | Francis Poulenc, James Galway, Charles Dutoit | C Major | 1 | 8B | 84 BPM | ||
| Fantasie for Flute and Piano by Gabriel Faure | Gabriel Fauré, Laurel Zucker, Richard Cionco | C Major | 1 | 8B | 90 BPM | ||
| Sonatina for Clarinet and Piano: I. Allegro con brio | Malcolm Arnold, Ronald Van Spaendonck, Eliane Reyes | G Minor | 2 | 6A | 144 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM |