Amber Rubarth's 'Ball and Chain' had a release date set for April 15, 2016. Ball and Chain is 2 minutes and 16 seconds long and may contain bad words that may be unsuitable for children. There are a total of 13 in the song's album "Scribbled Folk Symphonies". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Ball and Chain is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ball and Chain by Amber Rubarth having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Can Only Listen | Ruth Moody | G Major | 4 | 9B | 76 BPM | ||
| Solitary Man | Tracy Grammer | G Minor | 2 | 6A | 124 BPM | ||
| Lovin' Eyes | Applewood Road, Aaron Lee Tasjan | B Major | 1 | 1B | 70 BPM | ||
| I'll Be Here in the Morning | 10 String Symphony | E♭ Major | 2 | 5B | 102 BPM | ||
| Flag Song | Abigail Lapell | G Major | 1 | 9B | 120 BPM | ||
| Eastern Sky | Birds of Chicago | D Major | 2 | 10B | 145 BPM | ||
| Katie's Blues | Clay Parker and Jodi James | D Major | 2 | 10B | 138 BPM | ||
| Banshee Moan | Shannon McNally | G Minor | 2 | 6A | 128 BPM | ||
| Before Gas and TV | Pieta Brown | C Major | 2 | 8B | 129 BPM | ||
| Hold On | Amber Rubarth | A♭ Major | 1 | 4B | 116 BPM | ||
| Good for Something | The Sea The Sea | B♭ Major | 3 | 6B | 188 BPM | ||
| Dogsong aka Sleep Dog Lullaby | The Be Good Tanyas | C Major | 2 | 8B | 105 BPM | ||
| Never Said Goodbye | Ruth Moody | D Major | 1 | 10B | 85 BPM | ||
| Trouble and Woe | Ruth Moody | E Major | 3 | 12B | 97 BPM | ||
| Til It's Gone | Po' Girl | B♭ Major | 3 | 6B | 136 BPM | ||
| A Crooked Road | Darrell Scott | C Major | 2 | 8B | 108 BPM | ||
| Both Sides Now | Lucy Wainwright Roche, Suzzy Roche | G Major | 3 | 9B | 104 BPM | ||
| We Could Pretend | Ruth Moody | B Major | 2 | 1B | 130 BPM | ||
| I Could've Been Your Lover Too | Rachel Baiman | B Minor | 2 | 10A | 136 BPM | ||
| Jedidiah 1777 | Eliza Gilkyson | E Minor | 3 | 9A | 67 BPM | ||
| Falling Out Of Love | Mary Gauthier | B Minor | 3 | 10A | 71 BPM | ||
| The Right Track | Mary Bragg | B Major | 4 | 1B | 166 BPM | ||
| See See Rider | Caroline Herring | A♭ Major | 2 | 4B | 97 BPM | ||
| Deep Water | Amy Helm | A Major | 2 | 11B | 75 BPM | ||
| Seeing Stars | Meg Hutchinson | F♯ Major | 3 | 2B | 101 BPM |