Justin Rubin, Zeitgeist's 'The Armed Man Should Be Feared (And Other Lessons from the Renaissance): III. Tomorrow the Fox Will Come to Towne' had a release date set for June 9, 2015. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Armed Man Should Be Feared (And Other Lessons from the Renaissance): III. Tomorrow the Fox Will Come to Towne's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 11 in Currents: Assorted Pieces for Percussion, Winds & Voice by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Armed Man Should Be Feared (And Other Lessons from the Renaissance): III. Tomorrow the Fox Will Come to Towne is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Armed Man Should Be Feared (And Other Lessons from the Renaissance): III. Tomorrow the Fox Will Come to Towne by Justin Rubin, Zeitgeist is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waltz | Justin Rubin, Betsy Husby, Alexander Chernyshev | E♭ Major | 0 | 5B | 128 BPM | ||
| Milhaud: Sonatina for Flute and Piano, Op. 76: I. Tendre | Darius Milhaud, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 82 BPM | ||
| Ionisation | Edgard Varèse, Pierre Boulez, New York Philharmonic | D♭ Major | 4 | 3B | 129 BPM | ||
| Galactic Silence | Astrid Voix | A Major | 3 | 11B | 102 BPM | ||
| Introspection, Pt. 2 (classical theater work) | Renato Di Prinzio | D Major | 1 | 10B | 116 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Ligeti : Hamburg Concerto : I Praeludium | György Ligeti, Reinbert de Leeuw | C Minor | 0 | 5A | 75 BPM | ||
| Music for 18 Musicians, Pt. 1 | Steve Reich, Grand Valley State University New Music Ensemble, Bill Ryan | F♯ Minor | 3 | 11A | 104 BPM | ||
| Martinique | Floating Islands | N/A | N/A | N/A | 0 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Void Pulse | Astrid Voix | A Major | 3 | 11B | 102 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | A Major | 3 | 11B | 102 BPM | ||
| Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
| Variations on There were Three Ravens | Justin Rubin, Lorie Scott, Alexander Chernyshev | A♭ Minor | 3 | 1A | 117 BPM | ||
| The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM | ||
| Preludes: Cloches d'angoisse et larmes d'adieu (Bells of Anguish and Tears of Farewell) | Olivier Messiaen, Håkon Austbø | B Minor | 0 | 10A | 76 BPM | ||
| The Still Waters of Sagamore Hill | Justin Rubin, Matthew McCright | A♭ Minor | 3 | 1A | 117 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
| Quatuor pour la fin du temps: 1. Liturgie de cristal | Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim | G Major | 4 | 9B | 79 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | A Major | 3 | 11B | 102 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Ikaru | Fabio Caramuru | D Major | 1 | 10B | 75 BPM |