Rajendra Vaishampayan's ' "Sankhyyog" was released on its scheduled release date, April 1, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajendra Vaishampayan's "Kavy Geeta" album is number 17 out of 21. On top of that, India appears to be the country where this track was created. Based on our statistics, Sankhyyog's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Sankhyyog by Rajendra Vaishampayan to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ashtothram | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 2 | 9B | 98 BPM | ||
| Head | Rajendra Vaishampayan | F♯ Minor | 2 | 11A | 135 BPM | ||
| Vaikruthikam Rahasyam | J. Bhaktavatsalam, Ganesan, Na | D Minor | 2 | 7A | 110 BPM | ||
| Keelaka Stotram | J. Bhaktavatsalam, Ganesan, Na | C Major | 4 | 8B | 136 BPM | ||
| Shree Swami Samartha Jai Jai Swami Samartha (Male Version) (Male Version) | Shreedar Phadke | D Major | 6 | 10B | 113 BPM | ||
| Maata, Pita, Guru, Vandan | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 78 BPM | ||
| Duttachi Aarti | Pradnya Annam | B♭ Major | 7 | 6B | 170 BPM | ||
| Ardhanareeshwara Stotram | Bhanumathi Narasimhan | A♭ Major | 1 | 4B | 183 BPM | ||
| Hanuman Ashtottara Shatnamavali | Sriparna Chatterjee | G Major | 3 | 9B | 111 BPM | ||
| Devi Chandraghanta Beej Mantra | Shashikant Vyas | E♭ Major | 2 | 5B | 68 BPM | ||
| Kamasikashtakam | Prof. Thiagarajan, Sanskrit Scholars | B Major | 3 | 1B | 78 BPM | ||
| Shripad Vallabh Digambara - FAST - Datta Stuti | Mandar Apte, Datta Thite | B♭ Major | 7 | 6B | 91 BPM | ||
| Ganesha Dhyanam | S.Rajeshwari | C Major | 4 | 8B | 141 BPM | ||
| Sri Durga Sooktam | Vishwanath H. V., Vanishree, Vijaya Lakshmi | G Major | 4 | 9B | 87 BPM | ||
| Ugati Prabhae | Anoopam Mission | D♭ Major | 2 | 3B | 80 BPM | ||
| Panchanga Rudranyasaha | Venkataramana Bhat, Shivashankara Bhat, Venkatesh Shastri | B Major | 3 | 1B | 65 BPM | ||
| Parvati Pati Har Har Shambhu (Shivashtakam) | BHAKTI SAROVAR | D♭ Major | 0 | 3B | 98 BPM | ||
| Shakambari Ashtak | Rajendra Vaishampayan | G Minor | 2 | 6A | 84 BPM | ||
| Viveka Choodamani | Bhanumathi Narasimhan | G Major | 1 | 9B | 81 BPM | ||
| Nyah Vachan | Rajendra Vaishampayan | F♯ Major | 6 | 2B | 76 BPM | ||
| Bhagavad Gita Adhyay, Pt. 3 | Shrirang Bhave | E Major | 4 | 12B | 153 BPM | ||
| Sri Ramaraksha Stotram | Vidyabhushana | C Major | 4 | 8B | 115 BPM | ||
| Hitaaya Ca | Suresam | A♭ Major | 1 | 4B | 136 BPM | ||
| Narayan Suktam | Sri Sathya Sai Official | E♭ Major | 3 | 5B | 105 BPM | ||
| Ashtothara Shatanama Stotram | Prasath Sai, Prakash Kumar | B♭ Major | 3 | 6B | 88 BPM |