"Hymn: A solis ortus cardine (chant)" by Anonymous , Anonymous 4 had its release date on 1993. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "On Yoolis Night - Medieval Carols & Motets". In this album, this song's track order is #20. Hymn: A solis ortus cardine (chant) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hymn: A solis ortus cardine (chant) by Anonymous , Anonymous 4 having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There Shall a Star (Mendelssohn) | Notre Dame Liturgical Choir | E♭ Major | 2 | 5B | 76 BPM | ||
| Monks Templar Chant Chant Meditation | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | E♭ Minor | 2 | 2A | 130 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM | ||
| Adventi Ének Veni, veni, Emmanuel | Zoldan Kodály, Aurél Tillai, Pécsi Nevelök Háza Kamarakórusa | F Minor | 0 | 4A | 107 BPM | ||
| Alleluia: Ave Maria | Traditional Song, The Monks of Clear Creek | F♯ Minor | 0 | 11A | 102 BPM | ||
| Today the Virgin Gives Birth: Matins, Kontakion | Choir of the Monks of Chevetogne | B♭ Major | 2 | 6B | 203 BPM | ||
| Incarnatus | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | E Major | 1 | 12B | 72 BPM | ||
| Cancion de cuna | Laudesi Umbri, Padre Antonio Giannoni | F Minor | 1 | 4A | 103 BPM | ||
| Of Thy Mystical Supper | Cappella | E Minor | 1 | 9A | 135 BPM | ||
| Kyrie Fons Bonitatis | Capella Antiqua München | A♭ Minor | 0 | 1A | 136 BPM | ||
| Per omnia saecula saeculorum... Pater noster... | Anonymous, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | B Major | 1 | 1B | 69 BPM | ||
| Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
| Oraculum Fidei Intimae | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Minor | 1 | 7A | 92 BPM | ||
| In I Vesperis: Antiphona. Laus et perhennis | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Orthodox Meditations from Mount Athos | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F Major | 1 | 7B | 99 BPM | ||
| Del Oficio Rimado de Santa Clara, Antífona: Trahit de Testa | Pro Musica Gregoriana, Liliana Mazza | B♭ Major | 0 | 6B | 102 BPM | ||
| Caelestis Harmonia | Cistercian Monks of Stift Heiligenkreuz, Magna Canta, Anonymous, Agnus Dei | D Minor | 2 | 7A | 110 BPM | ||
| Missa cum iubilo - Sanctus | Nova Schola Gregoriana, Alberto Turco | B♭ Minor | 1 | 3A | 70 BPM | ||
| Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
| Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
| Vigilia in Silentio | The Quiet Monks | D♭ Minor | 0 | 12A | 80 BPM | ||
| Missa pro Defunctis (1544): Sequentia: "Dies irae" | Cristobal de Morales, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 73 BPM | ||
| Midnight Mass: Offertory: Lætentur Caeli (Mode IV) | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | B Minor | 2 | 10A | 78 BPM | ||
| The Second Vigil | Night Monastery | D♭ Minor | 0 | 12A | 80 BPM | ||
| Noua azi ne a rasarit (D.G.Kiriac) | Corul Madrigal | A♭ Major | 2 | 4B | 81 BPM |