Jakob's 'Can We Come in?' had a release date set for November 1, 1999. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Jakob's "Jakob" album is number 3 out of 7. On top of that, New Zealand appears to be the country where this track was created. Based on our statistics, Can We Come in?'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Can We Come in? by Jakob to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hunter Moon | Russian Circles | E Major | 7 | 12B | 136 BPM | ||
| Shoulders | Collapse Under The Empire | F♯ Major | 7 | 2B | 120 BPM | ||
| DBT | Meniscus | F Minor | 7 | 4A | 125 BPM | ||
| Valhalla | When Waves Collide | F♯ Minor | 6 | 11A | 130 BPM | ||
| Captured Moments | Collapse Under The Empire | E♭ Major | 9 | 5B | 125 BPM | ||
| The Last Reminder | Collapse Under The Empire | B♭ Minor | 9 | 3A | 128 BPM | ||
| Harmonia | Jakob | G Minor | 6 | 6A | 160 BPM | ||
| A Determinism of Morality | Rosetta | B♭ Minor | 8 | 3A | 115 BPM | ||
| They Gave up Looking | Pray for Sound | E Minor | 7 | 9A | 142 BPM | ||
| Maven Fade | Kerretta | G Major | 8 | 9B | 136 BPM | ||
| Silent State Optimizer | Leech | F Major | 6 | 7B | 130 BPM | ||
| Truths Arise | Red Sparowes | E Major | 2 | 12B | 110 BPM | ||
| Iron Glacier | If These Trees Could Talk | G Major | 4 | 9B | 105 BPM | ||
| You Are Here | Astralia | F Minor | 6 | 4A | 168 BPM | ||
| Ethel | Russian Circles | B Major | 7 | 1B | 178 BPM | ||
| Når Himlen Falder, Kommer Lyset Tættere På | Nordsind | A Minor | 6 | 8A | 90 BPM | ||
| Omega Incursion | MardaB | B Minor | 8 | 10A | 172 BPM | ||
| Gizmo | We Made God | D Major | 5 | 10B | 110 BPM | ||
| Waking Life | Maybeshewill | E♭ Major | 8 | 5B | 160 BPM | ||
| Caravans | Tides From Nebula | F♯ Major | 4 | 2B | 152 BPM | ||
| Prahanien | pg.lost | C Major | 3 | 8B | 116 BPM | ||
| Richard D. Anderson | Oh Hiroshima | B Minor | 8 | 10A | 120 BPM | ||
| Some Summer | Jakob | C Major | 2 | 8B | 115 BPM | ||
| He Would Be Riding on the Subway | Cloudkicker | E Minor | 8 | 9A | 95 BPM | ||
| It's Dark It's Cold It's Winter | sleepmakeswaves | E Major | 3 | 12B | 88 BPM |