"Where Did I Go Right?" by John Morris had its release date on May 1, 1968. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Where Did I Go Right?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Producers". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Where Did I Go Right? is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Where Did I Go Right? by John Morris having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cocktail Time | John Morris | C Minor | 2 | 5A | 133 BPM | ||
| España | The Little Street Band, Eric Gemsa | C Major | 4 | 8B | 107 BPM | ||
| Achievement | Jack Trombey | D Minor | 0 | 7A | 144 BPM | ||
| Suite Populaire Bresilienne - Villa-Lobos: c. Valsa Choro | Heitor Villa-Lobos, John Morris | E Minor | 1 | 9A | 127 BPM | ||
| The End Titles | Angela Morley | C Major | 1 | 8B | 114 BPM | ||
| That'll Do Pig, That'll Do | Nigel Westlake | C Major | 3 | 8B | 87 BPM | ||
| Main Title From Carrie | Pino Donaggio, Prague Philharmonic Chamber Orchestra | C Minor | 1 | 5A | 115 BPM | ||
| Love Power | John Morris | E Major | 5 | 12B | 109 BPM | ||
| Medley: It Had To Be You / Shine | The Warner Bros. Studio Orchestra | E♭ Major | 6 | 5B | 106 BPM | ||
| The Gospel Of No Name City | Alan Dexter | A♭ Major | 6 | 4B | 103 BPM | ||
| I'm Keeping Them | John Morris | E Major | 2 | 12B | 52 BPM | ||
| Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | D♭ Major | 1 | 3B | 116 BPM | ||
| H.M.S. Pinafore / Act 1: We shall sail the ocean blue | Arthur Sullivan, The D'Oyly Carte Opera Company, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 100 BPM | ||
| Sweet Charity: Overture | Cy Coleman, Sweet Charity Orchestra, Fred Werner, Sweet Charity Original Broadway Cast | F Major | 5 | 7B | 139 BPM | ||
| Make 'em Laugh | Gene Kelly, Donald O'Connor | A♭ Major | 6 | 4B | 157 BPM | ||
| Cole Porter: High Society Overture (From "High Society") | Cole Porter, The John Wilson Orchestra, John Wilson | G Major | 3 | 9B | 103 BPM | ||
| Hungarian Rhapsody (Dueling Pianos) | Mel Blanc, Tony Anselmo | F♯ Major | 6 | 2B | 171 BPM | ||
| Dracula Main Theme (From "Dracula") | John Hollingsworth | A Major | 2 | 11B | 79 BPM | ||
| Withnail's Theme (From Withnail & I) | Jack Hallam | A Minor | 3 | 8A | 77 BPM | ||
| Baton Bunny | Bugs Bunny | F Minor | 4 | 4A | 120 BPM | ||
| The Sailors Hornpipe | The Band Of The Royal New Zealand Navy | G Major | 3 | 9B | 75 BPM | ||
| The Accident and Bad News | John Morris | E Major | 2 | 12B | 52 BPM | ||
| Toccata and Passacaglia: I. Toccata | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 79 BPM | ||
| It's A Mad, Mad, Mad, Mad World | Nelson Riddle | F Minor | 4 | 4A | 206 BPM | ||
| Through the Woods | Angela Morley | E♭ Minor | 1 | 2A | 88 BPM |