John Morris's ' "Love Power" was released on its scheduled release date, May 1, 1968. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Love Power's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Producers". In this album, this song's track order is #11. In terms of popularity, Love Power is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Love Power by John Morris having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Funeral March of a Marionette | Arthur Fiedler | A Major | 1 | 11B | 109 BPM | ||
| Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM | ||
| The Factory Machine | Charlie Chaplin, Alfred Newman | F Major | 5 | 7B | 118 BPM | ||
| Doctor Zhivago (Main Title) | Maurice Jarre | A Minor | 2 | 8A | 101 BPM | ||
| The Call Of the Faraway Hills | Victor Young (conductor), MGM Studio Orchestra | D Major | 3 | 10B | 89 BPM | ||
| South American Getaway - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | F Major | 1 | 7B | 105 BPM | ||
| The Museum - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Outfox The Fox | Danny Kaye, The Jud Conlon Singers | F Major | 7 | 7B | 141 BPM | ||
| Put on a Happy Face | Dick Van Dyke, Janet Leigh | A Major | 4 | 11B | 88 BPM | ||
| Variation 6 | John W. Duarte, John Morris | F♯ Minor | 0 | 11A | 100 BPM | ||
| The "Shag-adelic" Austin Powers Score Medley | George S. Clinton | G Minor | 2 | 6A | 84 BPM | ||
| No Way To Talk To Children | John Morris | E Major | 2 | 12B | 52 BPM | ||
| The Ballet | Charlie Chaplin, Alfred Newman | F Major | 5 | 7B | 118 BPM | ||
| The Taking of Pelham 123 (Main Title) | Czech Philharmonic Chamber Orchestra | B♭ Minor | 7 | 3A | 176 BPM | ||
| The World's Worst Play | John Morris | B Major | 4 | 1B | 51 BPM | ||
| Main Title - From Rio Grande, 1950 | John Wayne, Victor Young | A♭ Major | 6 | 4B | 106 BPM | ||
| Opening Titles - From How the West Was Won 1962 | Alfred Newman | D Major | 7 | 10B | 120 BPM | ||
| Stagecoach - Main Theme | Richard Hageman | B♭ Major | 5 | 6B | 107 BPM | ||
| Encore: Somewhere, My Love | Tiny Tim | A Major | 6 | 11B | 145 BPM | ||
| Funeral / Exit | Mario Nascimbene, Mario Nascimbene Studio Orchestra | F Major | 2 | 7B | 69 BPM | ||
| The Old Fun City (N.Y. Sequence) - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 3 | 5B | 79 BPM | ||
| Later That Night | Charlie Chaplin, Alfred Newman | F Major | 5 | 7B | 118 BPM | ||
| The Mikado: I've Got a Little List | Eric Idle | E♭ Major | 1 | 5B | 119 BPM | ||
| Lucky Charlie - From "Willy Wonka & The Chocolate Factory" Soundtrack | Leslie Bricusse, Anthony Newley | B Major | 3 | 1B | 114 BPM | ||
| Around the World – Part I | Victor Young, United Artists Studio Orchestra | E♭ Major | 3 | 5B | 130 BPM |