O Thou That Tellest Good Tidings To Zion - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra Song Details

George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'O Thou That Tellest Good Tidings To Zion - Live' had a release date set for January 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 9 out of 54. On top of that, United States appears to be the country where this track was created. O Thou That Tellest Good Tidings To Zion - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of O Thou That Tellest Good Tidings To Zion - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -25.373 dB
Acousticness: 98%
Danceability: 37%
Energy: 5%
Instrumentalness: 0%
Liveness: 32%
Loudness: 58%
Speechiness: 4%
Valence: 33%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Semele, HWV 58 / Act 1: Endless Pleasure...	George Frideric Handel, Kathleen Battle, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson	F Major	1	7B	80 BPM
Messiah: Part 1, O Thou that tellest good tidings to Zion (Air, Alto - Chorus)	The Sixteen	D♭ Major	2	3B	180 BPM
The People That Walked In Darkness - Live	George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra	B Minor	1	10A	62 BPM
Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Zion hört die Wächter singen	Johann Sebastian Bach, Leipzig Thomaner Choir, Peter Schreier, Arleen Auger, Siegfried Lorenz, Hans-Joachim Rotzsch, Leipzig New Bach Collegium Musicum	E♭ Minor	1	2A	116 BPM
Oh Come, Immanuel	Anonymous, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de Cormier	A Minor	1	8A	89 BPM
Vaughan Williams: Hodie: III. Song. "It Was the Winter Wild"	Ralph Vaughan Williams, David Willcocks, Bach Choir, Janet Baker, London Symphony Orchestra	G Major	2	9B	123 BPM
Why Do The Nations So Furiously Rage Together - Live	George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra	G Major	3	9B	140 BPM
And The Glory Of The Lord Shall Be Revealed - Live	George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra	C Major	0	8B	68 BPM
Gloria: Cum Sancto Spiritu	Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	D♭ Major	3	3B	121 BPM
Amahl! Amahl!	Gian Carlo Menotti, Thomas Schippers	C Major	1	8B	91 BPM
Christus: III. Choral "Es wird ein Stern aus Jacob aufgehn"	Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris	A Major	2	11B	76 BPM
Sinfony: Grave - Live	George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra	E Minor	1	9A	90 BPM
Missa Brevis No. 7 In B Major St. Joannis De Deo - Kyrie	Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger	F♯ Major	1	2B	115 BPM
Gloria: Qui tollis peccata mundi	Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	B♭ Major	2	6B	96 BPM
Lift Up Your Heads O Ye Gates	101 Strings Orchestra	F Major	5	7B	105 BPM
Hosanna to the Son of David	Orlando Gibbons, The Cambridge Singers, John Rutter	E Major	1	12B	71 BPM
Ave Maria	Camille Saint-Saëns, Antonia Bourvé, Gundula Schneider, Romano Giefer, Les Favorites, Holger Speck	B Major	2	1B	82 BPM
Lo! He Comes with Clouds Descending	Choir of St. John's College, Cambridge	G Major	1	9B	135 BPM
Messiah: Part 2, All we like sheep have gone astray (Chorus)	The Sixteen	E Major	2	12B	109 BPM
Ave Maria, CG 89a	Charles Gounod, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs	F Major	1	7B	106 BPM
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away"	Henry Purcell, Iestyn Davies, Lestyn Davies, The English Concert, Trevor Pinnock	D♭ Major	2	3B	103 BPM
Messiah / Part 3: "Since By Man Came Death"	George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood	D♭ Major	3	3B	114 BPM
And The Glory Of The Lord	London Philharmonic Orchestra	E Major	4	12B	71 BPM
O Thou That Tellest Good Tidings to Zion	The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Tamara Mumford	A Minor	0	8A	172 BPM
Messiah: Part 1, But who may abide? (Air, Alto)	The Sixteen	D♭ Minor	2	12A	93 BPM