"Jail" by Alexey Omelchuk had its release date on January 1, 2013. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Jail's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexey Omelchuk's "Metro: Last Light: Original Soundtrack (Component 1)" album is number 10 out of 33. On top of that, United States appears to be the country where this track was created. Based on our statistics, Jail's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jail by Alexey Omelchuk to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whispering Snow | Piotr Musiał | F Major | 2 | 7B | 140 BPM | ||
| Dehumanization | Max LL | B Minor | 3 | 10A | 115 BPM | ||
| Can't Be Touched or Be Seen | Dan Romer | E Minor | 2 | 9A | 75 BPM | ||
| Dunn's Down | Johan Skugge, Jukka Rintamäki | F Minor | 3 | 4A | 100 BPM | ||
| In The Ruins | Sound Of Syndrome | F Minor | 3 | 4A | 137 BPM | ||
| On the Lake | Brian Reitzell | E Minor | 1 | 9A | 60 BPM | ||
| NeonNoir Soundscapes | Damian Kolder, Alexey Omelchuk | A♭ Major | 1 | 4B | 140 BPM | ||
| Rasping Rifts | Dmitry V. Silantyev | G Major | 2 | 9B | 130 BPM | ||
| Farewell | Garrett Lindquist | A Minor | 1 | 8A | 77 BPM | ||
| Mistlands - Dvergr Excavation Site - Unearthing the past | Patrik Jarlestam, Phillippa Murphy-Haste | B♭ Major | 2 | 6B | 85 BPM | ||
| Enter the Tunnels (Main Theme) | Alexey Omelchuk | A Minor | 3 | 8A | 138 BPM | ||
| Signs of Life | Daniel Ran | F Minor | 0 | 4A | 130 BPM | ||
| Through the Hollow Earth | Simon Poole | F Major | 1 | 7B | 64 BPM | ||
| The Brief | Ben Frost, Paul Haslinger | D♭ Major | 4 | 3B | 105 BPM | ||
| The Wreck of the Pandemonium (Part One) | Élise in the Clouds | C Major | 2 | 8B | 125 BPM | ||
| Streets of Karnaca (Suspense) | Daniel Licht | D♭ Major | 2 | 3B | 124 BPM | ||
| The Gardens of Kadesh | Paul Ruskay | F Minor | 3 | 4A | 130 BPM | ||
| Ossuary 2 - Turn | Kevin MacLeod | B Major | 4 | 1B | 117 BPM | ||
| Barrels, Blood and Bone | Daniel Ran | D♭ Major | 1 | 3B | 85 BPM | ||
| Athena-1 | Bubson | F♯ Major | 1 | 2B | 80 BPM | ||
| The Lines Between | Black Salt Games | F♯ Major | 2 | 2B | 60 BPM | ||
| Agatha's Lair | Lyre RPG Music | A Minor | 1 | 8A | 140 BPM | ||
| Unforgiving Sands | Ludvig Forssell | B♭ Minor | 5 | 3A | 108 BPM | ||
| The Dangers of sailing to Ashlands | Patrik Jarlestam, Freya Schack-Arnott, Beth Condon, Michael H Dixon, Mattias Hanskov Palm | C Major | 4 | 8B | 158 BPM | ||
| Probably Not A Problem | Valve | A Major | 1 | 11B | 70 BPM |