"Can't Be Touched or Be Seen" by Dan Romer had its release date on March 27, 2018. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 31 in Far Cry 5 (Original Game Soundtrack) by Dan Romer. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Can't Be Touched or Be Seen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Can't Be Touched or Be Seen by Dan Romer is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dehumanization | Max LL | B Minor | 3 | 10A | 115 BPM | ||
| Escape from Chicago | Brian Reitzell | B♭ Major | 1 | 6B | 75 BPM | ||
| Crimson Wastes | Bobby Krlic | F Major | 8 | 7B | 120 BPM | ||
| The Age of Halcyon | Justin E. Bell | G Major | 3 | 9B | 100 BPM | ||
| A Touch of Darkness | Pawel Blaszczak | F Major | 3 | 7B | 160 BPM | ||
| Breakout | Tyler Bates, John Swihart | B Minor | 9 | 10A | 120 BPM | ||
| The Executioner | Martin Stig Andersen | B♭ Minor | 4 | 3A | 78 BPM | ||
| Our Disease | Keith Power | G Major | 3 | 9B | 159 BPM | ||
| If Wishes Were Horses | Johan Skugge, Jukka Rintamäki | B Major | 6 | 1B | 129 BPM | ||
| Every Secret, a Maze | Oleksa Lozowchuk | F Major | 5 | 7B | 103 BPM | ||
| The Capitol | Anthony Caruso | D♭ Major | 1 | 3B | 120 BPM | ||
| Take Heed Young Heathen | Dan Romer | A♭ Major | 0 | 4B | 69 BPM | ||
| Wake Up - Connor | Nima Fakhrara | F♯ Major | 0 | 2B | 81 BPM | ||
| 23 12 15 | Evan Royalty | C Major | 4 | 8B | 120 BPM | ||
| Tartarus | Justin E. Bell | G Major | 1 | 9B | 107 BPM | ||
| The Rakkhive Emerges | Raison Varner | D♭ Major | 6 | 3B | 130 BPM | ||
| Walking Down | Pawel Blaszczak | B♭ Major | 1 | 6B | 68 BPM | ||
| The City Without Hope | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| Effect and Cause | Stephen Barton | G Minor | 2 | 6A | 69 BPM | ||
| Intro - Portam Ad Inferno | Petri Alanko | A Major | 3 | 11B | 107 BPM | ||
| Acheron: First Movement | Paul Leonard-Morgan | B♭ Major | 3 | 6B | 170 BPM | ||
| Finish The Barricade - Markus | John Paesano | D Minor | 1 | 7A | 81 BPM | ||
| The Research Base | Michael Nielsen, Kaveh Cohen | D Major | 4 | 10B | 131 BPM | ||
| Molly's Hunger (Monster) | Jeff Russo | B♭ Major | 1 | 6B | 80 BPM | ||
| 17 Years Later | Tyler Bates, John Swihart | F♯ Minor | 5 | 11A | 80 BPM |