"Happy Pop Guns" by Matthew James Robertson, Mike Reed, Tom Howe had its release date on August 10, 2010. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Percussive Elements". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, Happy Pop Guns's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Happy Pop Guns by Matthew James Robertson, Mike Reed, Tom Howe having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Asleep | Matthew James Robertson | B♭ Minor | 0 | 3A | 206 BPM | ||
| Who We Are | Trevor Rabin | A Major | 3 | 11B | 75 BPM | ||
| The End Of The Line | Roque Baños | D Minor | 2 | 7A | 121 BPM | ||
| Dawn | Harry Gregson-Williams | A Minor | 1 | 8A | 86 BPM | ||
| Adore | Christopher Gordon | D♭ Major | 2 | 3B | 109 BPM | ||
| The Great Leap | U137 | C Major | 5 | 8B | 120 BPM | ||
| Survivor | Helen Jane Long | F Minor | 1 | 4A | 144 BPM | ||
| Exurgency | Zoë Keating, Zoe Clare Keating | G Minor | 3 | 6A | 90 BPM | ||
| Physical Liaison | Clint Mansell | A Major | 1 | 11B | 117 BPM | ||
| Trafalgar Celebration | Rupert Gregson-Williams | D Major | 1 | 10B | 74 BPM | ||
| The Mercy | Jóhann Jóhannsson, Rutger Hoedemaekers | D Major | 2 | 10B | 84 BPM | ||
| Believe In The Kingdom | King Topher | G Major | 2 | 9B | 61 BPM | ||
| All the Beauty in the World | Daniel Pemberton | D Major | 4 | 10B | 120 BPM | ||
| A Commuter's Trip | Roque Baños | G Minor | 3 | 6A | 141 BPM | ||
| Brim | Ólafur Arnalds, Atli Örvarsson | G Minor | 4 | 6A | 145 BPM | ||
| Eternity | Jordan Critz | C Major | 3 | 8B | 130 BPM | ||
| Floating, Floating | August Wilhelmsson | C Major | 1 | 8B | 72 BPM | ||
| Suits Theme | Christopher Tyng | G Minor | 3 | 6A | 145 BPM | ||
| Trapped | They Dream By Day | G Major | 1 | 9B | 72 BPM | ||
| In the Beginning | Sean Redmond | C Major | 2 | 8B | 92 BPM | ||
| Red-Eye | The Album Leaf | F♯ Minor | 7 | 11A | 100 BPM | ||
| Future Is Ahead | Jonathan Mellon, Jonathan Mell | G Major | 3 | 9B | 110 BPM | ||
| Building the Machine | Matthew James Robertson, Mike Reed, Tom Howe | A Major | 10 | 11B | 120 BPM | ||
| Cherry Blossoms | Dominic Lewis | G Major | 1 | 9B | 175 BPM | ||
| Against the Odds (End Credits) | The Newton Brothers | G Major | 2 | 9B | 120 BPM |