"Variation 12" by Ruth Schönthal, Gary Steigerwalt had its release date on January 1, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 45 in the song's album "Schonthal, R.: Piano Music". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Variation 12 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variation 12 by Ruth Schönthal, Gary Steigerwalt having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| stateless | David Lang, The Crossing, Donald Nally | A Major | 1 | 11B | 114 BPM | ||
| Turangalîla-Symphonie: VII. Turangalîla 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Weary Soul | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Drei Liebeslieder: Endziel | Margaret Astrup, Joan Forsythe | A Minor | 2 | 8A | 168 BPM | ||
| Preludes: Instants defunts (Dead Instants) | Olivier Messiaen, Håkon Austbø | D Major | 0 | 10B | 73 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | F Major | 0 | 7B | 83 BPM | ||
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | E Major | 3 | 12B | 104 BPM | ||
| Musical Toys: 6. Song of the fisherman | Sofia Gubaidulina, Claire-Marie Le Guay | G Minor | 0 | 6A | 66 BPM | ||
| Manon, Act 2 Scene 4: Adieu notre petite table (Arr. for Countertenor & String Quartet by Eric Mouret) | Jules Massenet, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| Pierné: Impressions de music-hall, Op. 47: Berceuse. Hommage à Bobby, chien savant (Arr. Dushkin for Violin and Piano) | Gabriel Pierné, Henry Merckel, Marie-Louise Pugnet-Caillard | F♯ Minor | 1 | 11A | 97 BPM | ||
| String Quartet No. 13, 3rd Movement | Antonín Dvořák, vision string quartet | E Major | 3 | 12B | 104 BPM | ||
| Ciudadano Sombra: I. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| From Jewish Life, B. 54: I. Prayer | Ernest Bloch, Emmanuelle Bertrand, Pascal Amoyel | D♭ Major | 1 | 3B | 149 BPM | ||
| In Memoriam Dylan Thomas: II. Do not go gentle into that good night | Igor Stravinsky, Guy Cutting, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | E Major | 3 | 12B | 104 BPM | ||
| Images, Suite No. 3, Op. 35: I. Les ânesses grises sur la route d’El-Azib | Marcel Tournier, Emmanuel Ceysson, Quatuor Voce | G Minor | 0 | 6A | 135 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | E Major | 3 | 12B | 104 BPM | ||
| Tempus fugit: I. Part 1 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 123 BPM | ||
| String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Miró Quartet | G Major | 4 | 9B | 146 BPM | ||
| Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | ||
| 7 Piano Pieces, Op. 11: 2. Szekely lament: Rubato parlando | Zoltán Kodály, Andrew Rangell | E♭ Major | 1 | 5B | 59 BPM | ||
| Leaps of Faith | Vanessa Lann, Marcel Worms | C Major | 2 | 8B | 109 BPM | ||
| Sonata Concertante: III. Allegro Moderato | Ruth Schönthal, Jessica Lindsey, Christian Bohnenstengel | B♭ Major | 1 | 6B | 141 BPM | ||
| Emily — No Prisoner Be: No. 5, Interlude No. 1 | Kevin Puts, Time For Three | E Major | 3 | 12B | 104 BPM |