Emilio Kauderer's 'Vámonos Pedro' had a release date set for December 18, 2020. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 25 out of 25 in El cuento de las comadrejas (Original Motion Picture Soundtrack) by Emilio Kauderer. Based on our statistics, Vámonos Pedro's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vámonos Pedro by Emilio Kauderer is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estella - From "Great Expectations" | Patrick Doyle | F Major | 0 | 7B | 125 BPM | ||
| Morte a Venezia - Adagietto From the 5th Symphony of Mahler - Theme from the Film "Morte a Venezia" | Peter Hamilton Orchestra, Dorsey Dodd | D♭ Minor | 1 | 12A | 95 BPM | ||
| Overture | Aaron Zigman | A♭ Major | 1 | 4B | 103 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Love Theme | Emilio Kauderer | D Minor | 0 | 7A | 71 BPM | ||
| The Sheltering Sky | Giovanni Gravagno | C Minor | 1 | 5A | 91 BPM | ||
| We Had Today | Rachel Portman | D Major | 1 | 10B | 81 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| The Train Leaves | Emilio Kauderer, Federico Jusid, And Sebastian Kauderer | E♭ Major | 1 | 5B | 95 BPM | ||
| Bergoglio | Peter Pejtsik, Budapest Art Orchestra, Arturo Cardelús, Juanito Pascual | G Minor | 1 | 6A | 175 BPM | ||
| Theme from the English Patient (De "El Paciente Inglés") | Miami Pearls Orchestra | E♭ Major | 1 | 5B | 89 BPM | ||
| There Is A River... | Jan A.P. Kaczmarek | C Major | 1 | 8B | 56 BPM | ||
| Marguerite Gachet At The Piano | Clint Mansell | D Minor | 1 | 7A | 106 BPM | ||
| Abandoned | John Paesano | G Minor | 2 | 6A | 65 BPM | ||
| Idische Mame | Emilio Kauderer | G Minor | 2 | 6A | 86 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| Calvary Theme | Patrick Cassidy | B♭ Major | 1 | 6B | 75 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| Nobles Promesas | Federico Jusid, Orquesta Sinfónica de Radiotelevisión Española (RTVE), Coro de Radiotelevisión Española (RTVE) | C Minor | 1 | 5A | 76 BPM | ||
| Sigh No More - From "Much Ado About Nothing" | Patrick Doyle | F Major | 0 | 7B | 63 BPM | ||
| Getting Used to It | Rael Jones, Anthony Weeden | A Minor | 0 | 8A | 130 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Tema di Jane | Claudio Capponi, Alessio Vlad | D Major | 2 | 10B | 82 BPM | ||
| Marina's Theme - The Wildflowers | Hanan Townshend | D♭ Minor | 1 | 12A | 92 BPM | ||
| Love Theme From "Cinema Paradiso" (Arr. by Nikoloz Rachveli for Violin, Cello and Orchestra) - ROME | Lisa Batiashvili, Maximilian Hornung, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | B♭ Major | 2 | 6B | 129 BPM |