Ann Rachlin's 'The Flower Waltz' had a release date set for 1986. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Flower Waltz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Nutcracker - The Story Of The Ballet". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. The Flower Waltz is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Flower Waltz by Ann Rachlin having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| シンコペーテッド・クロック(SYNCOPATED CLOCK) | レディス・オーケストラ・ジャパン | D Major | 1 | 10B | 127 BPM | ||
| The Carnival of the Animals: 14. Finale | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| Folge 4 - Exponat 712 - Teil 25 | Die Alte und der Kommissar | G Major | 6 | 9B | 140 BPM | ||
| Calming January Story by Tchaikovsky | Royal Orchestra | E Major | 1 | 12B | 74 BPM | ||
| Theme from "Hawaii" | Hugo Winterhalter And His Orchestra | F Minor | 1 | 4A | 147 BPM | ||
| Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
| Teil 19 - Folge 42: Dritte Runde für Professor van Dusen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Helmut Stauss, Peter Matic, Viola Sauer, Liane Rudolph, Heinz Rabe, Jean Cuillerier, Andreas Thieck, Uwe Müller | B Minor | 4 | 10A | 114 BPM | ||
| Goblins, Demons And Green Fingernails | Ann Rachlin | E Major | 3 | 12B | 78 BPM | ||
| Chocolate Mint Snowflakes | Russell Nollen | D Major | 3 | 10B | 91 BPM | ||
| Coppélia, Tableau 1: No. 4 Scène | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Teil 11 - Folge 47: Professor van Dusen in Marokko | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Klaus Miedel, Dieter Ranspach, Brigitte Grothum, Otto Czarski, Hermann Ebeling, Wolfgang Condrus, Fritz Mellinger, Heinz Welzel | A Major | 3 | 11B | 86 BPM | ||
| Spartacus, Act I: Dance of a Greek Slaves (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Minor | 1 | 9A | 111 BPM | ||
| Suite 2 - From The Bishop's Wife, 1947 | Cary Grant, Hugo Friedhofer | E♭ Major | 4 | 5B | 99 BPM | ||
| Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| A Fatal Swordfight | Ann Rachlin | C Major | 1 | 8B | 136 BPM | ||
| The Winter's Tale, Act II Scene 1: Florizel and Perdita's Tryst | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | F♯ Minor | 5 | 11A | 93 BPM | ||
| Shadows | Aurora Crescendo | C Major | 4 | 8B | 161 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| My Fair Lady, Act I Scene 3: In Six Months - In Three If She Has a Good Ear and a Quick Tongue | Frederick Loewe, Jamie Parker, Malcolm Sinclair | C Major | 1 | 8B | 131 BPM | ||
| The Enchanted Lake Of Kitesz | Ann Rachlin | B Minor | 1 | 10A | 76 BPM | ||
| Frühlingsstimmen (Walzer, Nr.410) | Wiener Philharmoniker | C Minor | 2 | 5A | 139 BPM | ||
| The Human Comedy, Op. 37: The Theme of Paris | Dmitri Shostakovich, Malmö Opera Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 82 BPM | ||
| 8 aus 12 oder Von der Freiheit, in Begrenzung Schönheit zu entdecken, Op. 36: IV. Rhythmus - UA | Thomas Noettling, Österreichische Kammersymphoniker, Ernst Theis | A Major | 2 | 11B | 77 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | D♭ Major | 3 | 3B | 116 BPM |