"An der Stätte des Todes" by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore had its release date on August 1, 1996. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Rütti: Verena, die Quelle". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, An der Stätte des Todes's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An der Stätte des Todes by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: I Heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | ||
| The Woman with the Alabaster Box | Arvo Pärt, Polyphony, Stephen Layton | G Minor | 1 | 6A | 77 BPM | ||
| Mass for Double Choir: Credo | Frank Martin, Mikaeli Chamber Choir, Anders Eby | G Major | 0 | 9B | 130 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Requiem: III. And God shall wipe away all tears | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Lucy Mitten | D Major | 0 | 10B | 83 BPM | ||
| Psalm 16 "Preserve Me, O God" | Martin How, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | B Major | 1 | 1B | 131 BPM | ||
| They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
| Suite für Hornvieh, Op. 110: Tanz der Ochsen | Matthias Kofmehl, Carl Rütti, Hans-Jürg Sommer | B Major | 0 | 1B | 134 BPM | ||
| Psalm 5 "Ponder My Words, O Lord" | Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore | E♭ Major | 0 | 5B | 68 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| SMS: Nachdenkliches | Matthias Kofmehl, Carl Rütti, Hans-Jürg Sommer | D♭ Major | 0 | 3B | 72 BPM | ||
| The Crucifixion: Hymn. The Adoration of the Crucified | John Stainer, Brian Kay, Margaret Philips, BBC Singers, Leith Hill Festival Singers | F Major | 1 | 7B | 128 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| St Peter and St Paul | Carl Rütti, Christopher Duarte | D Minor | 1 | 7A | 65 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Choir of Merton College, Oxford, Emily Tann, Benjamin Nicholas | F Major | 0 | 7B | 80 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| Care for Us, O God of Grace SHZ 377 | Laestadian Lutheran Church, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| Salve Regina | Carl Rütti, Christopher Duarte | C Major | 1 | 8B | 81 BPM | ||
| Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
| Maria matrem virginem | St. Patrick Orthodox Church Choir | D Major | 0 | 10B | 164 BPM | ||
| O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM | ||
| Sacri musicali affetti, Op. 5: O Maria | Barbara Strozzi, Franck Marcon, Alice Duport-Percier | C Major | 1 | 8B | 175 BPM | ||
| All-night Vigil, Op. 44: Blagoslovi, dushe moya, Ghospoda | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | G Major | 1 | 9B | 132 BPM |