"Psalm 16 "Preserve Me, O God"" by Martin How, Exeter Cathedral Choir, Paul Morgan, Andrew Millington had its release date on January 11, 2010. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "The Complete Psalms of David, Vol. 1". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Psalm 16 "Preserve Me, O God"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 16 "Preserve Me, O God" by Martin How, Exeter Cathedral Choir, Paul Morgan, Andrew Millington having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm 8 "O Lord Our Governor, How Excellent Is Thy Name in All the World" | William Crotch, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | G Major | 1 | 9B | 132 BPM | ||
| Psalm 43: Give Sentence with Me, O God | Exeter Cathedral Choir, Andrew Millington, Paul Morgan | C Minor | 1 | 5A | 78 BPM | ||
| Anaphora – Consecration & We Sing of You | Roman Hurko | B Major | 1 | 1B | 62 BPM | ||
| Stainer: God so loved the world | The Chapel Choir of University College, Hurham, Oliver Bond | D Major | 1 | 10B | 75 BPM | ||
| No. 3, Choral Song & Fugue | Samuel Sebastian Wesley, Paul Morgan | C Major | 1 | 8B | 68 BPM | ||
| Prosit Neujahr | Wilhelm Bendow, Paul Morgan | G Major | 3 | 9B | 85 BPM | ||
| I Will Praise Him | Christelijk Mannenkoor Soli Deo Gloria Urk, André van Vliet, Jaap Kramer, Jan Lenselink, Noortje van Middelkoop | A♭ Major | 2 | 4B | 107 BPM | ||
| Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | ||
| Great Compline Hymnody for the Close of the Day | All-Merciful Saviour Monastery | E♭ Major | 1 | 5B | 83 BPM | ||
| He Cometh Soon, My Jesus SHZ 144 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Ashley Niemela | F Major | 2 | 7B | 82 BPM | ||
| When All Thy Mercies | The Guilford Cathedral Choir | A♭ Major | 2 | 4B | 85 BPM | ||
| From Heaven Above to Earth I Come | Choir of St Paul's Burlingame, Susan Jane Matthews | C Major | 1 | 8B | 90 BPM | ||
| Monkland "Let Us, with a Gladsome Mind" (After Freylinghausen's Fahre fort) [Arr. J.B. Wilkes for Choir & Organ] | John Antes, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby | B♭ Major | 2 | 6B | 88 BPM | ||
| Come, Risen Lord | Leo Sowerby, William Ferris Chorale, William Ferris | B♭ Major | 2 | 6B | 65 BPM | ||
| Christ Be Beside Me | Scot Crandal | B Major | 5 | 1B | 144 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM | ||
| Sunset Boulevard: The Perfect Year | Andrew Lloyd Webber, Julian Lloyd Webber, David Cullen, Paul Morgan, Frank Ricotti, Mitch Dalton, Royal Philharmonic Orchestra, Barry Wordsworth | D♭ Major | 1 | 3B | 78 BPM | ||
| In Deep Distress | John Bell, The Cathedral Singers | A♭ Major | 2 | 4B | 91 BPM | ||
| Bow Brickhill "We Sing the Praise of Him Who Died" | Sir Sydney Hugo Nicholson, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | A Major | 1 | 11B | 131 BPM | ||
| Alleluia of the Angels | Christopher Walker | A♭ Major | 2 | 4B | 80 BPM | ||
| Psalm 85, 'Lord, Thou art become gracious unto thy land' | Charles Harford Lloyd, The Choir Of Westminster Abbey, Martin Neary | A Major | 1 | 11B | 77 BPM | ||
| Marche hèroïque for Organ | Herbert Brewer, Paul Morgan | E♭ Major | 1 | 5B | 93 BPM | ||
| Salzburg "At the Lamb's High Feast We Sing" | Jakob Hintze, The Chapel Choir of Marlborough College, Ian Crabbe, Robin Nelson | D Major | 2 | 10B | 92 BPM | ||
| Luckington "Let All the World in Every Corner Sing" | Basil Harwood, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu | D Major | 2 | 10B | 96 BPM | ||
| In Thee, O Full of Grace | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | G Major | 1 | 9B | 126 BPM |