"Diane, from 'Seventh Heaven'" by Lew Pollack, Erno Rapee, Vienna State Opera Orchestra, Reg Owen had its release date on 2009. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Diane, from 'Seventh Heaven''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Two Hearts In Three-Quarter Time". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Diane, from 'Seventh Heaven' is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Diane, from 'Seventh Heaven' by Lew Pollack, Erno Rapee, Vienna State Opera Orchestra, Reg Owen having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oror, Op. 1 (Arr. for Violin, Harp & Strings by Dana Paul Perna) | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 0 | 7B | 136 BPM | ||
| Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
| The Typewriter | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | G Major | 3 | 9B | 78 BPM | ||
| Weeping Willows | Charlie Chaplin, Philippe Quint | D Minor | 1 | 7A | 91 BPM | ||
| Maigret (Granada TV) | Nigel Hess, The London Film Orchestra, Olive Simpson | G Minor | 2 | 6A | 174 BPM | ||
| Flambée montalbanaise (Arrangements pour accordéon et quintette à cordes) | Félicien Brut, Quatuor Hermès, édouard Macarez | C Minor | 3 | 5A | 69 BPM | ||
| That's a Plenty | Lew Pollack, Goff Richards, Black Dyke Band, Nicholas J. Childs | F Major | 5 | 7B | 116 BPM | ||
| Kol Nidrei, Op.47 - Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo) | Max Bruch, Matt Haimovitz, Chicago Symphony Orchestra, James Levine | D Major | 1 | 10B | 101 BPM | ||
| Porgy and Bess: I. Summertime - A Woman Is a Sometime Thing (Arr. J. Heifetz) | George Gershwin, Matthew Trusler, Wayne Marshall | F♯ Major | 2 | 2B | 107 BPM | ||
| Prends-moi matelot - Instrumental from Borsalino & Co | Claude Bolling | G Major | 2 | 9B | 86 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | B Minor | 2 | 10A | 142 BPM | ||
| From Jewish Folk Poetry, Op. 79: III. Lullaby (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta | D♭ Major | 1 | 3B | 140 BPM | ||
| Wieniawski: Légende for Violin and Orchestra in G Minor, Op. 17 (Arr. for Violin and Piano by August Wilhelmj) | Henryk Wieniawski, Tasmin Little, Piers Lane | G Minor | 1 | 6A | 136 BPM | ||
| 1. Arturo Márquez (1950) La Sinfonía Imposible: Las Peras del Olmo (2022): 4. Sin Retorno (Migración), para Clarinete, Trompeta y Orquesta Sacha Rattle, Clarinete y Pacho Flores, Trompeta - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | E Minor | 6 | 9A | 157 BPM | ||
| King David | Eliyahu Gamliel, Mattityahu Shelem, Nemanja Radulović, Double Sens | A Minor | 1 | 8A | 88 BPM | ||
| Sunrise Over Seville | Georges Bizet, Joachim Schmeißer, Ksenija Sidorova, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | B♭ Minor | 1 | 3A | 73 BPM | ||
| Where Love Never Came | Keep Calm | F♯ Minor | 2 | 11A | 101 BPM | ||
| Czardas pour plombinette | Vittorio Monti, Les Bons Becs, Florent Héau, Eric Baret, Laurent Bienvenu, Yves Jeanne, Bruno Desmouillières | D Minor | 1 | 7A | 152 BPM | ||
| Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: II. The Legend of the Kalendar Prince | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | D Minor | 4 | 7A | 168 BPM | ||
| I Want Yer, Ma Honey | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Le nozze di Figaro: Voi, che sapete (Arie des Cherubino) | Wolfgang Amadeus Mozart, I Salonisti | B♭ Major | 2 | 6B | 120 BPM | ||
| No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Scharoun Ensemble | G Major | 1 | 9B | 81 BPM | ||
| La Fille du Régiment, Act I, Scene 11: Air de Marie "Il faut partir" (Arr. for Piano & Viola) | Gaetano Donizetti, Antoine Tamestit, Cédric Tiberghien | F Minor | 0 | 4A | 76 BPM | ||
| In A Persian Market | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | F Major | 2 | 7B | 69 BPM |