"Prelude No. 3" by Heitor Villa-Lobos, Remy Van Kesteren had its release date on February 21, 2014. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Remy Van Kesteren's "Memento" album is number 7 out of 15. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Prelude No. 3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude No. 3 by Heitor Villa-Lobos, Remy Van Kesteren to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
| Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
| Albéniz: Iberia: 2. Albaicin | Paco de Lucía, Jose Maria Bandera, Juan Manuel Canizares | G Major | 10 | 9B | 126 BPM | ||
| Vingt-Sixiéme Ordre - L'Epineuse | François Couperin, David Russell | A Minor | 1 | 8A | 75 BPM | ||
| Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
| Odeón: Odeon | Ernesto Nazareth, Antoine Zemor | D♭ Minor | 2 | 12A | 103 BPM | ||
| A Lenda do Caboclo | Heitor Villa-Lobos, Nelson Freire | A♭ Minor | 0 | 1A | 70 BPM | ||
| From 5 Preludes: Prelude No.3 in A Minor | Andrés Segovia | E Minor | 1 | 9A | 87 BPM | ||
| 24 Caprices, Op. 1: No. 1 in E Major (arr. for guitar) | Niccolò Paganini, Gerald Garcia | A Minor | 1 | 8A | 104 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| 4 Valses Venezolanos: Vals No. 2 | Antonio Lauro, Adam Holzman | E Minor | 1 | 9A | 99 BPM | ||
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
| 12 Danzas españolas, Op. 37: 5. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 92 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
| Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
| Brejeiro (Arr. for Guitar by Sérgio Assad) | Ernesto Nazareth, Marc Teicholz | A Major | 1 | 11B | 152 BPM | ||
| Dedicatoria | Enrique Granados, Kurt Schneeweiss | D Major | 0 | 10B | 175 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Canción de Cuna | John C. Williams | D Major | 0 | 10B | 83 BPM | ||
| Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra | F Minor | 0 | 4A | 61 BPM | ||
| Sainz de la Maza: La frontera de Dios: V. Sacrificio | Regino Sáinz de la Maza, Thibaut García | E Minor | 0 | 9A | 70 BPM | ||
| Sonatina canonica, Op. 196: I. Mosso, grazioso e leggero | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | B Minor | 1 | 10A | 84 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |