On May 1, 2013, the song "The Lochnagar Suite: I. Scottish Dances" was released by Nigel Hess, Central Band Of The Royal Air Force. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Works for Symphonic Wind Orchestra, Vol. 2 by Nigel Hess, Central Band Of The Royal Air Force. The song's track number on the album is #5 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Lochnagar Suite: I. Scottish Dances is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since The Lochnagar Suite: I. Scottish Dances by Nigel Hess, Central Band Of The Royal Air Force has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lochnagar Suite: I. Scottish Dances being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Santa Lucia | Carducci String Quartet, Thomas Hewitt Jones | E♭ Major | 1 | 5B | 79 BPM | ||
| On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | ||
| "If music be the food of love, play on" | Nigel Hess, Royal Shakespeare Company, Nicholas Bishop | D Major | 3 | 10B | 78 BPM | ||
| Romance, Op. 11 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | A♭ Major | 1 | 4B | 93 BPM | ||
| Scramble! | Nigel Hess, The London Symphonic Wind Orchestra | D♭ Major | 2 | 3B | 68 BPM | ||
| Goin' Home | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | G Major | 1 | 9B | 135 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | A♭ Minor | 1 | 1A | 82 BPM | ||
| Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra | E Major | 0 | 12B | 62 BPM | ||
| Piano Concerto No. 1 in E Minor, Op.11: II. Romanze - Larghetto | George Fenton | E Major | 1 | 12B | 60 BPM | ||
| The Miracle | Maurizio Malagnini | A Major | 2 | 11B | 142 BPM | ||
| Bells across the Meadows | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 136 BPM | ||
| The Humming Chorus (Madama Butterfly) | Dr. Kathleen McGuire, San Francisco Gay Men's Chorus | B♭ Major | 0 | 6B | 72 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Sailing By | Ronald Binge, New London Orchestra, Ronald Corp | B♭ Major | 1 | 6B | 132 BPM | ||
| Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | A Major | 1 | 11B | 101 BPM | ||
| Thaïs: Méditation | Jules Massenet, James Galway, National Philharmonic Orchestra, David Measham | D Major | 2 | 10B | 90 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Version for Strings) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 0 | 9B | 109 BPM | ||
| Sailing By | Ronald Binge, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 0 | 10B | 89 BPM | ||
| A Broken Heart | Nigel Hess, Joshua Bell, Royal Philharmonic Orchestra | A♭ Major | 0 | 4B | 64 BPM | ||
| Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo "Garden Scene" (Arr. Spindler for Violin & Orchestra) | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | B♭ Major | 1 | 6B | 173 BPM | ||
| Anne | Debbie Wiseman, National Symphony Orchestra | E♭ Major | 1 | 5B | 117 BPM | ||
| For Tonight - from 'Play For Today: Atlantis' | Carol Kenyan | B♭ Major | 3 | 6B | 72 BPM | ||
| Elizabethan Serenade | Ronald Binge | F Major | 2 | 7B | 178 BPM | ||
| End Titles | Barrington Pheloung, London Metropolitan Orchestra | G Major | 2 | 9B | 124 BPM | ||
| Westminster Waltz | Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 1 | 10B | 174 BPM |