Howard Shore, Angèle Dubeau, La Pietà's 'Concerning Hobbits (From "Lord of the Rings: The Fellowship of the Rings")' had a release date set for January 31, 2012. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Concerning Hobbits (From "Lord of the Rings: The Fellowship of the Rings")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in A Time for Us (Silence, on joue!) by Angèle Dubeau, La Pietà. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Concerning Hobbits (From "Lord of the Rings: The Fellowship of the Rings")'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerning Hobbits (From "Lord of the Rings: The Fellowship of the Rings") by Howard Shore, Angèle Dubeau, La Pietà is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forrest Gump: Opening Theme | Mark Northam | D Major | 1 | 10B | 124 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Minor | 0 | 3A | 82 BPM | ||
| Axel F (From "Beverly Hills Cop") | Angèle Dubeau, La Pietà | D♭ Major | 4 | 3B | 111 BPM | ||
| Dumbledore's Army | Nicholas Hooper | G Major | 1 | 9B | 80 BPM | ||
| Adagio in G Minor | Mac Quayle | C Minor | 2 | 5A | 80 BPM | ||
| Downton Theme - From "Downton Abbey" | Regency Players | A Minor | 1 | 8A | 179 BPM | ||
| Giorni dispari | Angèle Dubeau, La Pietà | F Minor | 1 | 4A | 116 BPM | ||
| A Journey to Hogwarts | Nicholas Hooper | A Minor | 1 | 8A | 78 BPM | ||
| Paradise (From "Life of Pi") | Angèle Dubeau, La Pietà | F Major | 3 | 7B | 153 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| Main Title (I Had A Farm In Africa) | John Barry | C Major | 3 | 8B | 85 BPM | ||
| Light Through The Day | Alexander Chapman Campbell | B♭ Minor | 0 | 3A | 131 BPM | ||
| Concerning Hobbits | Howard Shore | D Major | 1 | 10B | 104 BPM | ||
| Giorni | Fabio Angelini | D Major | 2 | 10B | 132 BPM | ||
| A Commuter's Trip | Roque Baños | G Minor | 3 | 6A | 141 BPM | ||
| Les Beautés Du Diable | François Dompierre, Angèle Dubeau | E Minor | 1 | 9A | 132 BPM | ||
| Minas Tirith (feat. Ben Del Maestro) | Howard Shore, Ben Del Maestro | B♭ Major | 4 | 6B | 70 BPM | ||
| Theme from Poldark | Anne Dudley, Chris Garrick, The Chamber Orchestra Of London, London Chamber Orchestra | B Minor | 5 | 10A | 103 BPM | ||
| Honour Him - Now We Are Free (From "Gladiator") | Hans Zimmer, Lisa Gerrard, Jane Chee | A Major | 0 | 11B | 72 BPM | ||
| Copper and Tin | Anne Dudley, The Chamber Orchestra Of London | C Major | 2 | 8B | 128 BPM | ||
| Nocturne in C-Sharp Minor for Piano, Op. posth. | Frédéric Chopin, Janusz Olejniczak | D♭ Minor | 1 | 12A | 70 BPM | ||
| Only The Beginning of The Adventure | Harry Gregson-Williams | A♭ Major | 2 | 4B | 83 BPM | ||
| Let It Go | The Piano Guys | D Major | 3 | 10B | 135 BPM | ||
| Epiloog Bankier van het Verzet | Merlijn Snitker | D Minor | 2 | 7A | 80 BPM | ||
| End Title | John Barry | F Major | 1 | 7B | 83 BPM |