"Adagio in G Minor" by Mac Quayle had its release date on March 16, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "The Assassination of Gianni Versace: American Crime Story (Original Television Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Adagio in G Minor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio in G Minor by Mac Quayle having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturnes, Op. 9: No. 1 in B-Flat Minor | Emma Czaplica | F♯ Major | 1 | 2B | 212 BPM | ||
| Once upon a time in America (Deborah's Theme) | Ennio Morricone | E Major | 0 | 12B | 78 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Tristan und Isolde: Vorspiel (Excalibur): Liebestod | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | B Major | 2 | 1B | 87 BPM | ||
| Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
| Vals de Boda | Roque Baños | C Minor | 2 | 5A | 158 BPM | ||
| Pienso, luego existes | Mario Viñuela | G Major | 3 | 9B | 105 BPM | ||
| Nocturnes, Op. 55: No. 1 in F Minor | Emma Czaplica | A♭ Major | 1 | 4B | 76 BPM | ||
| Only The Winds | Ólafur Arnalds, Atli Örvarsson | E Minor | 0 | 9A | 125 BPM | ||
| A Love Story | Rupert Gregson-Williams | A Minor | 0 | 8A | 108 BPM | ||
| To Waltz Ton Mation - The Waltz of the Eyes | Stavros Lantsias | G Minor | 2 | 6A | 180 BPM | ||
| Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
| In Memoriam | Kirill Richter | F Minor | 2 | 4A | 61 BPM | ||
| Winston And George | Dario Marianelli, Víkingur Ólafsson | F♯ Major | 0 | 2B | 114 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Minor | 0 | 3A | 82 BPM | ||
| Peugeot: Moldau (excerpt) | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 66 BPM | ||
| Le jardin | Grégoire Hetzel, Myrtille Hetzel, London Chamber Orchestra | C Major | 1 | 8B | 125 BPM | ||
| The Belt of Faith | jung jaeil | E Minor | 2 | 9A | 93 BPM | ||
| The End | Harry Gregson-Williams | D Major | 1 | 10B | 91 BPM | ||
| Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 1 | 12B | 93 BPM | ||
| Canto Ostinato for Solo Piano: Section 95 | Simeon ten Holt, Jeroen van Veen | B♭ Minor | 2 | 3A | 157 BPM | ||
| Nocturne No. 20 in C-Sharp Minor, Op. posth (Arranged for Violin & Orchestra) | Frédéric Chopin, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D♭ Minor | 1 | 12A | 143 BPM | ||
| I Promise | Ramin Djawadi | E Minor | 1 | 9A | 125 BPM | ||
| Beauty Awakens The Soul To Act | Hans Zimmer | F Major | 1 | 7B | 67 BPM | ||
| The Midnight Sky | Alexandre Desplat | D♭ Minor | 3 | 12A | 78 BPM |