Ravindra Jain, Satish Dehra's ' "Karunaiye Naley Aandavan" was released on its scheduled release date, January 1, 2007. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ravindra Jain's "Krishna Bhajan Vol. 23" album is number 11 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Karunaiye Naley Aandavan is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Karunaiye Naley Aandavan by Ravindra Jain, Satish Dehra to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shree Rudraashtakam | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 7 | 5B | 107 BPM | ||
| Hari Haraye Namah Sankirtan | Pundrik Goswami | D♭ Major | 4 | 3B | 145 BPM | ||
| Hai Jindagi Kitni Khubsurat | Kumar Satyam | E Major | 9 | 12B | 116 BPM | ||
| Sawan Ki Rut Hai | Sonu Nigam | B Minor | 8 | 10A | 90 BPM | ||
| Bhala Kisi Ka Kar Na Sako Toh | Manoj Mishra | E Major | 9 | 12B | 87 BPM | ||
| Bankey Bihari Ki Aarti | Shri. Mridul Krishna Shastri, Kavita Krishnamurthy | D♭ Major | 6 | 3B | 95 BPM | ||
| Mata Sherawali | Surabhi Dhomne, Bhagyashree Baraskar | D Major | 8 | 10B | 106 BPM | ||
| Ek Baar To Radha Bankar Dekho Mere Sawriya | Larissa Almeida | E♭ Minor | 5 | 2A | 120 BPM | ||
| Digambara Digambara | Ajeet Kumar Kadkade | B♭ Major | 4 | 6B | 174 BPM | ||
| Mera Shyam aa Jata Mere Samne | Mayank Agarwal | A♭ Major | 8 | 4B | 91 BPM | ||
| Kabhi Pyase Ko Pani Pilaya Nahi | Sangam Upadhaya | G Major | 6 | 9B | 85 BPM | ||
| Baanjhi Kewdawa Dhaile Thaadh | Sharda Sinha | E♭ Major | 5 | 5B | 104 BPM | ||
| Ram Katha Sankshipt Bharat Seo Kapi Keh Daari (From "Lanka Kaand") | Arun Dangle, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Hari Sundar Nand Mukunda | Sohini Mishra | D Major | 7 | 10B | 134 BPM | ||
| He Re Kanhaiya | Kishore Kumar, Kalyanji-Anandji | F Major | 7 | 7B | 101 BPM | ||
| Pal Pal Tere Sath Main Rehta Hu | Sanjay Mittal | A♭ Major | 7 | 4B | 126 BPM | ||
| Mujhe Charno Se Lagale | Mridul Krishan Shastri | F♯ Major | 6 | 2B | 81 BPM | ||
| Tum Besahara Ho - Sad | Manna Dey, Laxmikant–Pyarelal | D Major | 9 | 10B | 123 BPM | ||
| Tu Man Ki Ati Bhori | Chandrani Mukherjee, Ravindra Jain | D Major | 2 | 10B | 133 BPM | ||
| Aeri Sakhi Mangal Gao Ri Radharaman Mere Ghar Avenge | Harinaam Das | D Major | 8 | 10B | 112 BPM | ||
| Geeta Gyan 14 - Gyani Vichlit Hote Nahin Koi Jag Mein Rahe Ya Jag Se Jaye | Ravindra Jain | C Minor | 3 | 5A | 125 BPM | ||
| Ramdoot Baldham Ki Pawanputra Birvaan Ki | Babla Mehta | F Major | 6 | 7B | 90 BPM | ||
| He Dukh Bhanjan Maruti Nandan | Rakesh Kala | B Major | 8 | 1B | 90 BPM | ||
| Leke Pooja Ki Thali (From "Jai Maa Vaishno Devi") | Suresh Wadkar | A Major | 8 | 11B | 92 BPM | ||
| Hey Sharde Maa | Pamela Jain | D♭ Major | 6 | 3B | 130 BPM |