Samson et Dalila, Op. 47, R. 288 / Act 1: Dieu! Dieu d'Israël! by Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham Song Details

"Samson et Dalila, Op. 47, R. 288 / Act 1: Dieu! Dieu d'Israël!" by Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham had its release date on January 1, 1979. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Saint-Saëns: Samson et Dalila". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Samson et Dalila, Op. 47, R. 288 / Act 1: Dieu! Dieu d'Israël! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Samson et Dalila, Op. 47, R. 288 / Act 1: Dieu! Dieu d'Israël! by Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -13.992 dB
Acousticness: 96%
Danceability: 25%
Energy: 34%
Instrumentalness: 1%
Liveness: 14%
Loudness: 77%
Speechiness: 4%
Valence: 16%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Le Cygne	Camille Saint-Saëns, Philippa Davies, Thelma Owen	A♭ Minor	0	1A	67 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	F Major	0	7B	91 BPM
Prélude in C-Sharp Minor, Op. 3, No. 2	Sergei Rachmaninoff	F♯ Minor	1	11A	115 BPM
Come, Sweet Death, BWV 478 (Arr. for 5 Cellos)	Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi	C Major	0	8B	122 BPM
Grieg: Peer Gynt, Op. 23: Morning Mood (Transcr. Katsaris for Piano)	Edvard Grieg, Cyprien Katsaris	E Major	0	12B	145 BPM
The Lark	Mikhail Glinka, Evgeny Kissin	B♭ Minor	0	3A	96 BPM
L'Arlésienne Suite No. 2 (Arr. Guiraud): III. Menuet	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	E♭ Major	0	5B	128 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
Satie / Orch. Ducros: Gymnopédie No. 1	Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris	G Minor	0	6A	170 BPM
Zigeunerweisen, Op. 20: III. Un poco piú lento	Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra	C Minor	1	5A	100 BPM
Cello Sonata: II. —	Tamara Konstantin, Jiaxin Lloyd Webber	A Major	0	11B	70 BPM
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon	G Major	2	9B	90 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28	Camille Saint-Saëns, Min Kym	A Minor	1	8A	90 BPM
Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante	Edvard Grieg, Javier Perianes	E Minor	0	9A	166 BPM
13 Preludes, Op. 32: No. 5 in G Major. Moderato	Sergei Rachmaninoff, Idil Biret	G Major	0	9B	74 BPM
Matthäus-Passion, BWV 244: Erbarme dich mein Gott	Yo-Yo Ma, Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra	B♭ Minor	1	3A	91 BPM
Ave Maria	Charles Gounod, Yo-Yo Ma, Kathryn Stott	C Major	0	8B	87 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante	Alexander Borodin, Borodin Quartet	A Major	2	11B	74 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
Adagio for Strings, Op. 11	Samuel Barber, Leonard Bernstein, New York Philharmonic	B♭ Minor	1	3A	88 BPM
Symphonie espagnole, Op. 21: I. Allegro non troppo	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	D Minor	1	7A	75 BPM
Le carnaval des animaux (The Carnival of the Animals): Le cygne (The Swan)	Stockholm Chamber Duo	E Major	1	12B	119 BPM