"Ignition" by Hans Zimmer had its release date on June 11, 2013. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hans Zimmer's "Man of Steel (Original Motion Picture Soundtrack)" album is number 12 out of 18. On top of that, United States appears to be the country where this track was created. Ignition is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ignition by Hans Zimmer to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Glory | Thomas Bergersen, Two Steps from Hell | A♭ Major | 5 | 4B | 144 BPM | ||
| Sparta | Junkie XL | B Minor | 8 | 10A | 100 BPM | ||
| Corynorhinus | James Newton Howard, Hans Zimmer | F Minor | 0 | 4A | 80 BPM | ||
| Loki Green Theme | Natalie Holt | F Major | 5 | 7B | 126 BPM | ||
| Setting Up the Lair - Main Theme from “Arrow” | Blake Neely | G Minor | 5 | 6A | 95 BPM | ||
| Underground Army | Hans Zimmer | D♭ Major | 2 | 3B | 96 BPM | ||
| The Dark Knight | L'Orchestra Cinematique | D Minor | 2 | 7A | 128 BPM | ||
| Change of Plan | Lorne Balfe | A♭ Major | 6 | 4B | 107 BPM | ||
| One Man At A Time | Rupert Gregson-Williams | D Major | 5 | 10B | 116 BPM | ||
| Dougie | Chris Benstead | A Major | 1 | 11B | 132 BPM | ||
| Zu viele Füchse für euch, Hänsel | Hans Zimmer | E Major | 5 | 12B | 80 BPM | ||
| Fog Battle | Junkie XL | A Major | 7 | 11B | 139 BPM | ||
| Artibeus | James Newton Howard, Hans Zimmer | B♭ Major | 1 | 6B | 109 BPM | ||
| Fire and Water | Howard Shore | F♯ Major | 5 | 2B | 126 BPM | ||
| Kidfried | Don Davis | B♭ Minor | 5 | 3A | 72 BPM | ||
| Conlan Fight | Ludwig Göransson | G Minor | 5 | 6A | 130 BPM | ||
| For Those We Never Meet - Bonus Track | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM | ||
| Growing Up Londinium | Daniel Pemberton | G Major | 8 | 9B | 135 BPM | ||
| The Chronicles Of Riddick | Graeme Revell | D♭ Major | 4 | 3B | 167 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| Taking a Stand | Henry Jackman | D Minor | 5 | 7A | 90 BPM | ||
| Why, Mr. Anderson? | Don Davis | B♭ Minor | 3 | 3A | 81 BPM | ||
| Losing Control | M83, Anthony Gonzalez, Joseph Trapanese | D Major | 1 | 10B | 92 BPM | ||
| Arkham Knight (Main Theme) | David Buckley | C Minor | 3 | 5A | 111 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM |