"麦藁帽子" by 田中信昭, 東京混声合唱団, 田中瑤子 had its release date on January 22, 1997. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. 麦藁帽子's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 日本合唱曲全集 三善 晃 作品集3, so we believe that "麦藁帽子" is a single. In terms of popularity, 麦藁帽子 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 麦藁帽子 by 田中信昭, 東京混声合唱団, 田中瑤子 is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Major | 0 | 5B | 77 BPM | ||
| 諸人こぞりて(第112番) | KAY合唱団 | D Major | 1 | 10B | 77 BPM | ||
| Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | ||
| Mass: VI. Agnus Dei | Steve Dobrogosz, St. Jacob's Chamber Choir, Stockholm Chamber Orchestra, Gary Graden | C Major | 1 | 8B | 85 BPM | ||
| 1. Clair de lune (L 32) | Claude Debussy, Simona Saturova, Marek Kozák | F♯ Major | 1 | 2B | 80 BPM | ||
| 混声合唱のための組曲「蔵王」吹雪 | 田中信昭, 東京混声合唱団, 本荘玲子 | D Major | 0 | 10B | 83 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| 聖なる、聖なる(第66番) | KAY合唱団 | E♭ Major | 2 | 5B | 84 BPM | ||
| I'd Rather Have Jesus (Catholic Hymnal #61) | Fr.Baek Namyong, Catholic Choir, Park Raesook | C Major | 3 | 8B | 90 BPM | ||
| Youth and Love | Γιάννη Yang | C Major | 5 | 8B | 86 BPM | ||
| 荒城の月 | 平松混声合唱団 | B Minor | 3 | 10A | 87 BPM | ||
| Annelies: III. The plan to go into hiding (Chamber Version) | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | G Minor | 1 | 6A | 80 BPM | ||
| ALWAYS 三丁目の夕日'64 - Opening Title | Naoki Sato | A Major | 8 | 11B | 143 BPM | ||
| オンブラ・マイ・フ | George Frideric Handel, Takeharu Nobuhara, テレマン室内管弦楽団 | F Major | 1 | 7B | 51 BPM | ||
| Let Beauty Awake | Γιάννη Yang | D♭ Minor | 5 | 12A | 78 BPM | ||
| Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales | Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin | G Major | 1 | 9B | 133 BPM | ||
| 讃美歌第320番「主よみもとに」 | 新日本合唱団 | F Major | 2 | 7B | 79 BPM | ||
| 混声合唱とピアノのためのバラード コタンの歌 臼搗き歌 | 田中信昭, 東京混声合唱団, 田中瑤子 | G Major | 3 | 9B | 111 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | F♯ Major | 1 | 2B | 80 BPM | ||
| 男声合唱とピアノのための ことばあそびうたII さる | 田中信昭, 東京混声合唱団(男声部), 田中瑤子 | C Minor | 1 | 5A | 78 BPM | ||
| 交響詩《ローマの松》 IV. アッピア街道の松 | Ottorino Respighi, Andrea Battistoni, Tokyo Philharmonic Orchestra | B Major | 3 | 1B | 124 BPM | ||
| Semele, HWV 58, Act II: Where’er you walk | George Frideric Handel, Allan Clayton, Ian Page | A Major | 1 | 11B | 86 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | F♯ Major | 1 | 2B | 80 BPM |