Ella Fitzgerald's ' "Take The “A” Train - Live At The Crescendo" was released on its scheduled release date, November 10, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 77 in the song's album "Twelve Nights In Hollywood". In this album, this song's track order is #18. In terms of popularity, Take The “A” Train - Live At The Crescendo is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Take The “A” Train - Live At The Crescendo by Ella Fitzgerald having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wake Up In Paris | The Hot Sardines | A♭ Major | 2 | 4B | 85 BPM | ||
| The Masquerade Is Over | Nancy Wilson, Cannonball Adderley | B♭ Major | 0 | 6B | 174 BPM | ||
| Moon River | Louis Armstrong | C Major | 1 | 8B | 86 BPM | ||
| How Deep Is The Ocean | Catherine Russell | F Minor | 3 | 4A | 105 BPM | ||
| I'm Gettin' Sentimental Over You | Tommy Dorsey | A Major | 1 | 11B | 104 BPM | ||
| Red Top | King Pleasure | A♭ Major | 2 | 4B | 116 BPM | ||
| Sweet Lorraine | Nat King Cole | G Major | 2 | 9B | 123 BPM | ||
| I Fall In Love Too Easily | Johnny Hartman | G Minor | 2 | 6A | 59 BPM | ||
| I Am Beginning to See the Light | Barbara Morrison | E♭ Major | 1 | 5B | 146 BPM | ||
| Si tu vois ma mère - Slow | Sidney Bechet, Claude Luter et son orchestre | E♭ Major | 4 | 5B | 80 BPM | ||
| 'S Wonderful | Ella Fitzgerald | B♭ Major | 4 | 6B | 132 BPM | ||
| Paper Doll | The Mills Brothers | D♭ Major | 1 | 3B | 168 BPM | ||
| Charade | Johnny Hartman | B Minor | 2 | 10A | 87 BPM | ||
| My Ship | Johnny Hartman | D Major | 0 | 10B | 102 BPM | ||
| Where Or When | Artie Shaw | D Minor | 3 | 7A | 108 BPM | ||
| There Will Never Be Another You | Lester Young, Oscar Peterson Trio | F Minor | 2 | 4A | 131 BPM | ||
| A Kiss to Build a Dream On | Louis Armstrong | C Major | 1 | 8B | 88 BPM | ||
| I'm Getting Sentimental Over You - Radio Days (Remastered) | Tommy Dorsey | F♯ Major | 1 | 2B | 83 BPM | ||
| Manhattan | Blossom Dearie | A♭ Major | 0 | 4B | 103 BPM | ||
| Almost Like Being in Love (2003 - Remaster) | Lester Young | C Major | 2 | 8B | 128 BPM | ||
| Lullaby of Birdland | George Shearing | B Major | 3 | 1B | 96 BPM | ||
| That's All | Ben Webster | G Minor | 1 | 6A | 80 BPM | ||
| It Had to Be You | Ray Charles | E♭ Major | 2 | 5B | 83 BPM | ||
| Parker's Mood | King Pleasure | B♭ Major | 1 | 6B | 75 BPM | ||
| Unforgettable | Nat King Cole | F Major | 2 | 7B | 136 BPM |