"6 Hymn-Preludes: III. Deo gracias" by Percy Whitlock, Roderick elms had its release date on 2010. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Gentle Art of Percy Whitlock (Sortie and Other Organ Music)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 6 Hymn-Preludes: III. Deo gracias is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Hymn-Preludes: III. Deo gracias by Percy Whitlock, Roderick elms having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Jubilate Deo | Orlande de Lassus, Sistine Chapel Choir, Massimo Palombella | G Major | 3 | 9B | 127 BPM | ||
| Grand Choeur in d-Minor | Paul Fey | D Major | 2 | 10B | 65 BPM | ||
| Gebed Abba Vader | Frank Kaman | F Major | 0 | 7B | 138 BPM | ||
| Duruflé: 4 Motets sur des thèmes grégoriens, Op. 10: No. 1, Ubi caritas et amor | Maurice Duruflé, Winchester Cathedral Choir, David Hill | E♭ Major | 0 | 5B | 55 BPM | ||
| + Den Na Dote Wo Ka | Harmonious Chorale Ghana | A Major | 2 | 11B | 66 BPM | ||
| Plymouth Suite: Chanty | Percy Whitlock, Donald Hunt | F Major | 0 | 7B | 67 BPM | ||
| Inleidend Koraalspel Psalm 79 | Klaas Jan Mulder | G Major | 0 | 9B | 57 BPM | ||
| Messe Solennelle, Op. 16 - Gloria | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A Major | 2 | 11B | 107 BPM | ||
| Organ Sonata No.1 in F-Sharp Minor, iii. Andante | Reductio | A Major | 2 | 11B | 66 BPM | ||
| Suor Angelica, SC 87: Ave Maria, Ave Maria | Giacomo Puccini, Kristine Opolais, Bonn Theater Children's Choir, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Andris Nelsons | F Major | 0 | 7B | 111 BPM | ||
| Bostrico Killer | Michelle Legauffe | F♯ Minor | 7 | 11A | 155 BPM | ||
| Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | ||
| Wessex Suite: The Blue Pool | Percy Whitlock, Malcolm Riley, RTE Concert Orchestra, Gavin Sutherland | A♭ Major | 0 | 4B | 123 BPM | ||
| Meditation on "Amazing Grace | Adolphus Hailstork, James Kosnik | G Major | 1 | 9B | 171 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Mun kotini taivaassa ihana on (SL 260a) | Seuralaulu, SRK:n kuoro, SRK:n orkesteri, Juha Paukkeri | G Major | 1 | 9B | 171 BPM | ||
| Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
| How Beautiful and Glorious SHZ 292 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen | F Major | 2 | 7B | 82 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | G Minor | 1 | 6A | 72 BPM | ||
| Missa Bell' Amfitrit' altera: Agnus Dei | Orlande de Lassus, Oxford Schola Cantorum, Jeremy Summerly | A Major | 1 | 11B | 127 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM |