On December 31, 1899, the song "I Heard" was released by Billy Cotton & His Band. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. I Heard's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Sing A New Song". In this album, this song's track order is #12. Based on our statistics, I Heard's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Heard by Billy Cotton & His Band having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toot, Toot, Tootsie (Goodbye) | Fanny Brice | A Major | 5 | 11B | 124 BPM | ||
| Never In a Million Years (with Cy Feuer & His Orchestra) - 78 rpm Version | Alice Faye, Cy Feuer & His Orchestra | B♭ Major | 1 | 6B | 115 BPM | ||
| Lady Play Your Mandolin | Nick Lucas | E♭ Major | 5 | 5B | 180 BPM | ||
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM | ||
| Lover Come Back to Me | Paul Whiteman | E♭ Major | 2 | 5B | 76 BPM | ||
| 'leven Thirty Saturday Night | Bert Ambrose Orchestra, Jess Kirkpatrick, Bill Grantham, Earl Burtnett | E♭ Major | 3 | 5B | 111 BPM | ||
| I`ve Got A Feeling I`m Falling | Jesse Crawford | F Minor | 3 | 4A | 175 BPM | ||
| And I Still Do | Ina Ray Hutton and Her Melodears | F Major | 4 | 7B | 211 BPM | ||
| Dipsy Doodle | Larry Clinton | B Major | 4 | 1B | 179 BPM | ||
| Smile Darn Ya, Smile | Billy Cotton & His Band | F Major | 3 | 7B | 116 BPM | ||
| K-K-K-Katy | Billy Murray | E♭ Major | 5 | 5B | 180 BPM | ||
| Margie - Remastered | Eddie Cantor | F Minor | 3 | 4A | 115 BPM | ||
| I'm Just Wild About Harry | Billy Cotton & His Band | E♭ Major | 2 | 5B | 137 BPM | ||
| Shut the Door, They're Coming Through the Window | Billy Cotton & His Band | D♭ Major | 4 | 3B | 122 BPM | ||
| Alexander's Ragtime Band | Ted Lewis | E♭ Major | 5 | 5B | 180 BPM | ||
| We're Going to Hang Out the Washing On the Siegfried Line | Arthur Askey | C Major | 2 | 8B | 123 BPM | ||
| Egyptian Ella | Jack Hylton & His Orchestra | G Minor | 6 | 6A | 125 BPM | ||
| What Will They Do Without Us? (with Billy Cotton and His Band) | Russ Conway, Billy Cotton & His Band | D Major | 3 | 10B | 82 BPM | ||
| Ain't She Sweet | Gene Austin, Nathaniel Shikret Orchestra | E♭ Major | 5 | 5B | 180 BPM | ||
| Varsity Drag | Abe Lyman's California Orchestra | A♭ Major | 4 | 4B | 120 BPM | ||
| Baby | Alex Mendham and His Orchestra | C Major | 4 | 8B | 115 BPM | ||
| I've Got Sixpence | Billy Cotton & His Band | F Major | 1 | 7B | 121 BPM | ||
| Mad Dogs And Englishmen | Noel Coward | C Major | 2 | 8B | 134 BPM | ||
| Breezin' Along with the Breeze | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| You Wouldn't Fool Me Would You | Annette Hanshaw | C Major | 2 | 8B | 97 BPM |