- BPM
- 162
- Key
- G Minor
- Camelot
- 6A
Trailer and End Credits by Mario Malagnini Song Details
"Trailer and End Credits" by Mario Malagnini had its release date on 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 29 in the song's album "The Paradise - Original TV Soundtrack". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The popularity of Trailer and End Credits is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Trailer and End Credits by Mario Malagnini having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -15.235 dB
- Acousticness
- 89%
- Danceability
- 37%
- Energy
- 28%
- Instrumentalness
- 76%
- Liveness
- 10%
- Loudness
- 75%
- Speechiness
- 7%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | |
 | Gianni Schicchi: "Prima un avvertimento!" | Giacomo Puccini, Leo Nucci, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | G Major | 1 | 9B | 151 BPM | |
 | La Bohème, Act 2: Domando La Parola | Ruggero Leoncavallo, Bruno Pratico, Pietro Spagnoli, Lucia Mazzaria, Mario Malagnini, Romano Emili, Jonathan Summers, Jan Latham-Koenig, Orchestra & Coro del Teatro La Fenice di Venezia | E Major | 2 | 12B | 109 BPM | |
 | Ruy Blas, Act I: Sua maestà s'appressa (Live) | Filippo Marchetti, Mario Malagnini, Alberto Gazale, Coro Lirico Marchigiano 'V. Bellini', Orchestra Filarmonica Marchigiana, Dan Lipton | A Major | 3 | 11B | 134 BPM | |
 | Bellini: I Capuleti e i Montecchi, Act 1 Tableau 1 Scene 6: "Vieni, ah! vieni, e in me riposa … Cedi, ah! cedi un sol momento" (Romeo, Giulietta) | Vincenzo Bellini, Janet Baker, Giuseppe Patanè, New Philharmonia Orchestra | G Major | 1 | 9B | 0 BPM | |
 | Macbeth, Act II: Chorus. Chi oso mandarvi a noi? | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Minor | 8 | 7A | 140 BPM | |
 | Verdi: La traviata, Act 2: "Pura siccome un angelo" (Germont, Violetta) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti, Renata Scotto, Renato Bruson | A♭ Major | 1 | 4B | 85 BPM | |
 | Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | |
 | Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | |
 | Carmen / Act 3: Introduction: "Ecoute, compagnon, écoute!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris, Jean Laforge | C Minor | 0 | 5A | 99 BPM | |
| Ruy Blas, Act IV: Deludermi sperava - È ricco, è bello (Live) | Filippo Marchetti, Dimitra Theodossiou, Mario Malagnini, Alberto Gazale, Orchestra Filarmonica Marchigiana, Dan Lipton | A Major | 3 | 11B | 140 BPM | |
 | Lucia di Lammermoor / Act 2: "Appressati, Lucia" - "Il pallor funesto, orrendo" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | |
 | Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | |
 | Lucia di Lammermoor / Act 3: Spargi d'amaro pianto | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 1 | 5B | 89 BPM | |
 | Il Trovatore / Act 4: "Siam giunti: ecco la torre" | Giuseppe Verdi, Graham Clark, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 0 | 3B | 72 BPM | |
 | Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | |
 | La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | |
 | L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | |
| La Bohème, Act 3: E Che! Tu Pur Sei Vedovo? | Ruggero Leoncavallo, Mario Malagnini, Bruno Pratico, Martha Senn, Jan Latham-Koenig, Orchestra & Coro del Teatro La Fenice di Venezia | F♯ Minor | 2 | 11A | 86 BPM | |
 | La Gioconda / Act 2: Sia gloria ai canti dei navaganti! | Amilcare Ponchielli, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 79 BPM | |
 | Stiffelio, Act III Scene 1: Scene. Dite ai fratei che al tempio (Stiffelio, Jorg, Raffaele, Lina) | Giuseppe Verdi, Mario Malagnini, Dimitra Theodossiou, Marco Vratogna, Giorgio Casciarri, Enzo Capuano, Bernadette Lucarini, Enrico Cossutta, Trieste Teatro Giuseppe Verdi Chorus, Trieste Teatro Giuseppe Verdi Orchestra, Nicola Luisotti | G Major | 1 | 9B | 85 BPM | |
 | Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son | Umberto Giordano, Neil Howlett, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | F♯ Minor | 3 | 11A | 81 BPM | |
 | Turandot, Act III: Nessun dorma! (Live) | Giacomo Puccini, Mario Malagnini, Coro della Fondazione Teatro Carlo Felice, Donato Renzetti, Orchestra del Teatro Carlo Felice | E Major | 2 | 12B | 119 BPM | |
| La Gioconda / Act 1: Maledici? sta ben | Amilcare Ponchielli, Sherrill Milnes, Regolo Romani, Montserrat Caballé, National Philharmonic Orchestra, Bruno Bartoletti | A Minor | 0 | 8A | 164 BPM | |
 | Donizetti: Lucia di Lammermoor, Act 1: "Verrano a te sull'aura i miei sospiri ardenti" (Lucia, Edgardo) | Gaetano Donizetti, Maria Callas, Ferruccio Tagliavini, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM |
- ISRC
- GBAJC1200498
- Label
- L-M Records/RCA Records