- BPM
- 63
- Key
- B♭ Major
- Camelot
- 6B
Threads Of Grey Velvet by Elena Kats-Chernin, Tamara Anna Cislowska Song Details
Elena Kats-Chernin, Tamara Anna Cislowska's 'Threads Of Grey Velvet' had a release date set for March 3, 2017. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Elena Kats-Chernin, Tamara Anna Cislowska's "Kats-Chernin: Unsent Love Letters, Meditations On Erik Satie" album is number 5 out of 26. On top of that, Australia appears to be the country where this track was created. Threads Of Grey Velvet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Threads Of Grey Velvet by Elena Kats-Chernin, Tamara Anna Cislowska to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -29.914 dB
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 7%
- Instrumentalness
- 92%
- Liveness
- 14%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 26%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | |
 | Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | |
 | Oríensa | Gabríel Ólafs | C Major | 0 | 8B | 66 BPM | |
 | Lumen Prime Aurore | Mary Finsterer, Melbourne Symphony Orchestra, Benjamin Northey | E Minor | 2 | 9A | 118 BPM | |
 | Les Baricades Misterieuses | François Couperin, Evgenia Papadimas | B♭ Major | 0 | 6B | 73 BPM | |
 | Symphony No. 5 in C-sharp Minor: IV. Adagietto (Arr. J. Gribben for Piano) | Gustav Mahler, Edward Wolanin | F Major | 0 | 7B | 61 BPM | |
 | Satie Variation (Arr. for Violin & Piano after Gymnopédie No. 1 by Svetoslav Karparov) | Erik Satie, Esther Abrami, Iyad Sughayer | G Major | 1 | 9B | 85 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | |
 | All In The Past (Remembering Oskar Strock) | Georgs Pelēcis, Johannes Fritzsch, Tasmanian Symphony Orchestra, Emma McGrath | D Minor | 0 | 7A | 109 BPM | |
 | Suite from "The Hours" - Movement I | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Minor | 4 | 4A | 155 BPM | |
 | Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) | Clara Schumann, Magdalena Hoffmann | D Minor | 0 | 7A | 76 BPM | |
 | Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | |
 | Sisask : Starry Sky Cycle Op.52 - Pleiades : 17. II Maja | Urmas Sisask, Lauri Väinmaa | F Major | 0 | 7B | 69 BPM | |
 | 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) | Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet | G Major | 0 | 9B | 52 BPM | |
 | Dance In 7/4 | Elena Kats-Chernin, Tamara Anna Cislowska | B Minor | 0 | 10A | 68 BPM | |
 | Gretchen am Spinnrade, D. 118 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 2 | 7A | 84 BPM | |
 | Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | |
 | Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM | |
| Postcard To A Critic | Elena Kats-Chernin, Tamara Anna Cislowska | G Minor | 0 | 6A | 142 BPM | |
 | Moonbeams | Leo Livens, Duncan Honeybourne | C Major | 0 | 8B | 64 BPM | |
 | Nocturne No. 6 in F Major, ‘Cradle Song’, H.40 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 69 BPM | |
 | Nacht und Träume, Op. 43 No. 2, D. 827 (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 92 BPM | |
 | All Things Conspire | Elena Kats-Chernin, Tamara Anna Cislowska | D Minor | 0 | 7A | 70 BPM | |
 | The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM |
- ISRC
- AUAB01750098
- Label
- L-M Records/RCA Records