Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet's '4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet)' had a release date set for January 10, 2020. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Elgar by Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) by Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet is Lento (slowly), since this song has a tempo of 52 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Introduction et Rondo capriccioso, Op. 28, R. 188: I. Introduction | Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Minor | 0 | 8A | 177 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arr. Rot for Violin and Orchestra) | Christoph Willibald Gluck, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Minor | 0 | 7A | 135 BPM | ||
| Wiegenlied, AV 41 | Richard Strauss, James Ehnes, Andrew Armstrong | D Major | 1 | 10B | 88 BPM | ||
| Song Without Words, Op. 109 | Felix Mendelssohn, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 71 BPM | ||
| Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Mstislav Rostropovich, Alexander Dedyukhin | D♭ Minor | 1 | 12A | 91 BPM | ||
| Intermezzo. A Scene from the Past | Kian Soltani | E Minor | 1 | 9A | 93 BPM | ||
| Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | C Major | 0 | 8B | 71 BPM | ||
| Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Benjamin Grosvenor, Royal Scottish National Orchestra, Elim Chan | E Major | 0 | 12B | 61 BPM | ||
| Morpheus | Rebecca Clarke, Philip Dukes, Sophia Rahman | G Minor | 0 | 6A | 93 BPM | ||
| Tissue No. 6 | Philip Glass, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 85 BPM | ||
| 6 Pieces, Op. 7: 1. Love Song (Arr. Kocián for Violin and Piano) | Josef Suk, Janine Jansen, Antonio Pappano | A♭ Major | 2 | 4B | 101 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto - Live at CCK, Buenos Aires / 2019 | Ludwig van Beethoven, Daniel Barenboim, West-Eastern Divan Orchestra | E Minor | 1 | 9A | 124 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre a ta voix" (Arr. for Cello and Piano by George Trinkaus) | Camille Saint-Saëns, Mischa Maisky, Lily Maisky | G Major | 1 | 9B | 87 BPM | ||
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
| Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Major | 0 | 9B | 138 BPM | ||
| Myrthen, Op. 25: I. Widmung (Arr. for Cello & Piano) | Robert Schumann, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 175 BPM | ||
| "Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: I. Adagio ma non troppo | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 1 | 7A | 117 BPM | ||
| Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Marietta's Lied | Erich Wolfgang Korngold, Yo-Yo Ma, Kathryn Stott | B♭ Major | 0 | 6B | 78 BPM | ||
| Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
| The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
| There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM |