"N Sera 'e Maggio" by Mario Lanza had its release date on March 17, 2023. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mario Lanza's "Mario's Best" album is number 11 out of 12. On top of that, Australia appears to be the country where this track was created. The popularity of N Sera 'e Maggio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of N Sera 'e Maggio by Mario Lanza to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | ||
| Amapola | Alfredo Kraus | E♭ Major | 3 | 5B | 87 BPM | ||
| Night Club Affair (from "An Affair To Remember") | Gary Grant, Deborah Kerr | E♭ Major | 1 | 5B | 85 BPM | ||
| Thoughts Will Come Back To Me | Mario Lanza | C Major | 2 | 8B | 82 BPM | ||
| Santa Lucia | Theodoro Cottrau, Enrico Caruso, Bianculli, Walter B. Rogers | G Minor | 4 | 6A | 90 BPM | ||
| Blue Danube | Richard Tauber | D♭ Major | 3 | 3B | 171 BPM | ||
| Manon Lescaut: Donna Non Vidi Mai... | Mario del Monaco | B♭ Major | 2 | 6B | 85 BPM | ||
| Song Of India | Mario Lanza | E♭ Major | 3 | 5B | 87 BPM | ||
| Bellini: I Puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | A♭ Major | 2 | 4B | 95 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Marenariello | The Mulberry Festival Orchestra | D♭ Major | 3 | 3B | 93 BPM | ||
| Lady Of Spain | Eddie Fisher | F Minor | 2 | 4A | 156 BPM | ||
| The Mikado: Three Little Maids | Jean Rigby | C Major | 2 | 8B | 128 BPM | ||
| Indian Love Call (from "Rose Marie") - 2006 Remaster | Jeanette MacDonald, Nelson Eddy | F Major | 2 | 7B | 173 BPM | ||
| How Are Things in Glocca Morra | John Gary | E♭ Major | 3 | 5B | 82 BPM | ||
| Ave Maria - J.S. Bach e C. Gounod | Beniamino Gigli | D♭ Major | 3 | 3B | 70 BPM | ||
| Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
| Dónde Están los Carboneros - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D Major | 4 | 10B | 72 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Lehár: Der Zarewitsch, Act 1: No. 5, Wolgalied, "Allein, wieder … Es steht ein Soldat am Wolgastrand" (Zarewitsch) | Franz Lehár, Thomas Hampson, Franz Welser-Moest, Franz Welser-Möst, London Philharmonic Orchestra | G Major | 1 | 9B | 165 BPM | ||
| Y Detrás de Ti Besé / Yo Conozco a una Mocita | José Oto, Rondalla | C Major | 4 | 8B | 93 BPM | ||
| Funiculi, funicula | Luigi Denza, Alessandro Ziliani | F Major | 1 | 7B | 127 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| With A Song In My Heart | Harry Secombe | C Minor | 4 | 5A | 102 BPM | ||
| H.M.S. Pinafore / Act 2: Never mind the why and wherefore | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, Jeffrey Skitch, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM |