- BPM
- 94
- Key
- D♭ Minor
- Camelot
- 12A
Jota - (Jota) by Manuel de Falla, Nicolas Urcelay Song Details
"Jota - (Jota)" by Manuel de Falla, Nicolas Urcelay had its release date on April 3, 2003. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 10 in Adios a Nicolas (Su Disco Inconcluso) by Nicolas Urcelay. Going off of the ISRC code of this track, we detected that the origin of this track is from Mexico. In terms of popularity, Jota - (Jota) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Jota - (Jota) by Manuel de Falla, Nicolas Urcelay is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -9.428 dB
- Acousticness
- 96%
- Danceability
- 25%
- Energy
- 37%
- Instrumentalness
- 0%
- Liveness
- 25%
- Loudness
- 84%
- Speechiness
- 4%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | |
 | El Amor brujo: Quadre Primer: Escena | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | D Minor | 0 | 7A | 107 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 75 BPM | |
 | Suite española, Op.47: No. 1 Granada | Isaac Albéniz, Miloš Karadaglić | E Minor | 0 | 9A | 129 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | |
 | The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | |
 | Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | |
 | Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | |
 | Works For Cello: Nocturne. Adapted From The Six Piano Pieces, Op. 19 | Alexander Rudin / Instrumental Ensemble "Musica Viva", Conductors: Nikolay Alekseyev & Alexander Rudin | B♭ Major | 1 | 6B | 60 BPM | |
 | El cant dels ocells ('The Song of the Birds') | Traditional, Pablo Ferrandez, Denis Kozhukhin | A Minor | 0 | 8A | 80 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | |
 | Scriabin: 24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 86 BPM | |
 | String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | |
 | 7 Peces de joventut (Youthful Pieces): Record | Manuel Blancafort, Miquel Villalba | F♯ Minor | 0 | 11A | 138 BPM | |
 | Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | |
 | 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | |
 | Nocturno | Benita Meshulam, Manuel de Falla, Peter Arts | F Minor | 0 | 4A | 72 BPM | |
 | Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 80 BPM | |
 | Piano Concerto "The World of Yesterday": II. Waltz Variations – | Stephen Hough, Hallé, Sir Mark Elder | D Major | 1 | 10B | 140 BPM | |
 | Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 1 | 10B | 72 BPM | |
| El Amor brujo: Quadre Primer: Intermezzo | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | E Major | 1 | 12B | 79 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Yuja Wang, Tonhalle-Orchester Zürich, Lionel Bringuier | D♭ Minor | 0 | 12A | 85 BPM | |
 | Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM |
- ISRC
- MXF145900206
- Label
- L-M Records/RCA Records