"2 Hassidic Moods: II. Dance" by Abraham Wolf Binder, Bochmann String Quartet had its release date on April 17, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bingham Quartet, Bochmann String Quartet, Juilliard String Quartet's "Jewish String Quartets" album is number 5 out of 12. On top of that, Hong Kong appears to be the country where this track was created. 2 Hassidic Moods: II. Dance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Hassidic Moods: II. Dance by Abraham Wolf Binder, Bochmann String Quartet to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto: IIa. Fugue, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Florin Paul, Ludovic Bács | G Major | 4 | 9B | 72 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
| poor hymnal: No. 2, open your hands | David Lang, The Crossing, Donald Nally | G Minor | 1 | 6A | 112 BPM | ||
| Recalling Chimes | Vanessa Lann, Ivo Janssen | F♯ Minor | 5 | 11A | 97 BPM | ||
| Les Noces, Première partie, Premier tableau: Chez le marié | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | E♭ Major | 1 | 5B | 131 BPM | ||
| Adams: Nixon in China: Act I, Scene 2 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Major | 2 | 10B | 171 BPM | ||
| To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | ||
| Poulenc: Le bestiaire, ou le cortège d’Orphée, FP 15: No. 6, La carpe (Chamber Version) | Francis Poulenc, Georges Prêtre, Maryse Charpentier, Orchestre De La Société Des Concerts Du Conservatoire | D♭ Major | 0 | 3B | 141 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| Ligeti : Romanian Concerto : I Andantino | György Ligeti, Jonathan Nott, Berliner Philharmoniker | C Major | 0 | 8B | 91 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 6: The Ninth of January | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | D Minor | 1 | 7A | 91 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| St Petersburg Waltz | Meredith Monk, Ursula Oppens | F♯ Minor | 1 | 11A | 131 BPM | ||
| Magnificat: IV. Quia fecit mihi magna | MartÍn Palmeri, Aleksandra Turalska, Agata Schmidt, Chór Astrolabium, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | C Minor | 1 | 5A | 120 BPM | ||
| Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 0 | 9B | 100 BPM | ||
| Violin Concerto "To the Memory of an Angel": I. Andante - Allegro | Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | C Major | 1 | 8B | 89 BPM | ||
| Ligeti : Romanian Concerto : IV Molto vivace | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 2 | 7B | 96 BPM | ||
| Vidimus Stellam: IV. Surge Illuminare | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Techno-Parade | Guillaume Connesson, Anna Miernik, Barbara Borowicz, Martyna Klupś-Radny | A♭ Minor | 2 | 1A | 138 BPM | ||
| Kinchi | aylalamanchi | A Minor | 0 | 8A | 146 BPM | ||
| Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
| Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | C Minor | 2 | 5A | 125 BPM | ||
| Gioite voi col canto | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 1 | 8B | 134 BPM | ||
| Requiem, Op. 9 (1961 version): Introit | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 1 | 7B | 104 BPM |