- BPM
- 179
- Key
- E Major
- Camelot
- 12B
Essay For Orchestra No. 1, Op. 12 by Samuel Barber, St. Louis Symphony, Leonard Slatkin Song Details
"Essay For Orchestra No. 1, Op. 12" by Samuel Barber, St. Louis Symphony, Leonard Slatkin had its release date on January 1, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Adagio for Strings / 3 Essays for Orchestra by Samuel Barber, Leonard Slatkin, St. Louis Symphony. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Essay For Orchestra No. 1, Op. 12 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Essay For Orchestra No. 1, Op. 12 by Samuel Barber, St. Louis Symphony, Leonard Slatkin is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -21.081 dB
- Acousticness
- 94%
- Danceability
- 20%
- Energy
- 18%
- Instrumentalness
- 3%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 6%
- Valence
- 19%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | |
 | Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | |
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 | Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | |
 | Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 85 BPM | |
 | Prelude in E Minor, Op. 28, No.4 | Tegelhof Kammerorchester | D Minor | 2 | 7A | 107 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | |
 | Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 172 BPM | |
 | Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 4 | 6A | 136 BPM | |
 | 6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | |
 | Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry, John Debney, Royal Scottish National Orchestra | D♭ Major | 1 | 3B | 128 BPM | |
 | Pavane, Op. 50 (Choral Version) | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | |
 | 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | |
 | Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Myfanwy (Arr. Kanneh-Mason for Solo Cello) | Sheku Kanneh-Mason | C Major | 0 | 8B | 122 BPM | |
 | Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | |
 | Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | |
 | J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM |
- ISRC
- USAR28801003
- Label
- L-M Records/RCA Records