Stolze & Tchaikovsky: Onegin: Scene. Onegin and Tatiana - Onegin's Variation (After Eugen Onegin, Op. 24) by Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra Song Details

"Stolze & Tchaikovsky: Onegin: Scene. Onegin and Tatiana - Onegin's Variation (After Eugen Onegin, Op. 24)" by Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra had its release date on November 5, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Tchaikovsky: Onegin, Theme and Variations, Ballet Imperial & Diamonds". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. Based on our statistics, Stolze & Tchaikovsky: Onegin: Scene. Onegin and Tatiana - Onegin's Variation (After Eugen Onegin, Op. 24)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Stolze & Tchaikovsky: Onegin: Scene. Onegin and Tatiana - Onegin's Variation (After Eugen Onegin, Op. 24) by Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 13%
Loudness: -24.08 dB
Acousticness: 97%
Danceability: 39%
Energy: 3%
Instrumentalness: 86%
Liveness: 7%
Loudness: 60%
Speechiness: 4%
Valence: 14%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Etudes: I. Tendus - grands battements - fondus - frappés	Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra	G Minor	2	6A	93 BPM
Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento	Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland	D Minor	0	7A	100 BPM
Raymonda, Act III: Variation 4, Raymonda	Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland	D Minor	1	7A	110 BPM
Serenade für Streicher, Op. 6: II. Allegro ma non troppo	Josef Suk, Jaroslav Krcek	F♯ Major	1	2B	81 BPM
Empty Abyss	Orithia	A Minor	0	8A	76 BPM
Giselle, Act 2: No. 16 Pas de Deux, Giselle and Albrecht (Alternative Version)	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	A♭ Major	1	4B	129 BPM
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III	Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra	D Major	1	10B	134 BPM
Walzer, Op.138, "Schlittschuhlaufer"	Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber	A Major	1	11B	88 BPM
Clog Dance (La Fille Mal Gardee)	The Regency House Orchestra	G Minor	2	6A	130 BPM
Prelude to "La princesse lointaine", Op. 4	Nikolai Tcherepnin, Bamberg Symphony, Łukasz Borowicz	A Major	1	11B	111 BPM
Stolze & Tchaikovsky: Onegin: Tatiana's Bedroom. Apparition of Onegin - Pas de deux (After Eugen Onegin, Op. 24)	Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra	B Minor	0	10A	85 BPM
The Bartered Bride: Overture	Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek	F Major	2	7B	145 BPM
Carmen Fantasy, Op. 25: IV. Moderato	Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada	F Minor	2	4A	84 BPM
Shéhérazade, Op. 35: I. La mer et le bateau de Simbad	Nikolai Rimsky-Korsakov, Anima Eterna, Jos Van Immerseel, Midori Seiler	E Major	0	12B	56 BPM
The Crown of India, Op. 66: March of the Mogul Emperors	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B Minor	4	10A	90 BPM
Carmen Ballet Suite (after Bizet): II. Dance	Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut	D Major	4	10B	124 BPM
Thumbelina Suite: IV. Sad Song	Alla Pavlova, Moscow Tchaikovsky Symphony Orchestra, Patrick Baton	D Minor	1	7A	68 BPM
Carnival of the Animals, R. 125: XIII. The Swan	Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard	G Major	0	9B	79 BPM
The Sleeping Beauty, Op. 66 : Act II. The Vision And The Sleeping Beauty Awakened: Entr'acte Et Scene	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	B♭ Major	2	6B	94 BPM
Tríptico	Gabriel Andrés Gallegos	G Major	2	9B	140 BPM
Perpetuum mobile - Musical Joke Op. 257	Johann Strauss II, Hallé, Bramwell Tovey	E♭ Major	1	5B	149 BPM
Raymonda, Act I: Grand Valse	Alexander Glazunov, Kivov Orchestra, Viktor Fedotov	D Major	1	10B	179 BPM
Act 1: XXI. Love Dance	Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra	B♭ Major	1	6B	173 BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 3, Scene 1: The Last Farewell	Sergei Prokofiev, André Previn, London Symphony Orchestra	F Major	1	7B	82 BPM
Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM