Rise Stevens, Robert Merrill's ' "The Chocolate Soldier" was released on its scheduled release date, 1958. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Chocolate Soldier". In this album, this song's track order is #9. In terms of popularity, The Chocolate Soldier is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Chocolate Soldier by Rise Stevens, Robert Merrill having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O del mio dolce ardor | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | D Major | 2 | 10B | 119 BPM | ||
| Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| Introduction / Summertime: Summertime | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | E♭ Minor | 1 | 2A | 180 BPM | ||
| Mignon: Mignon! - Monsieur! | Ambroise Thomas, James Melton, Lucielle Browning, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| The Best Years of His Life | Adolph Green, Rise Stevens, John Reardon, Lady in the Dark Ensemble (1963) | E Major | 3 | 12B | 47 BPM | ||
| Bizet: Carmen, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
| Never Was There Such a Lover | Rise Stevens, Peter Palmer | F Major | 1 | 7B | 84 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | B♭ Major | 1 | 6B | 92 BPM | ||
| Mignon: Ah! - Ah! Je le savais bien ce n'était pas un rêve | Ambroise Thomas, Mimi Benzell, Rise Stevens, James Melton, Ezio Pinza, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Don Giovanni, K. 527, Act II: No. 18, Vedrai, carino | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
| Samson et Dalila, Op. 47: Act II: Mon coeur s'ouvre a ta vox … (Dalila, Samson) | Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous , Fausto Cleva | B♭ Major | 4 | 6B | 94 BPM | ||
| Die Fledermaus: Act II: A waltz, let's have a waltz | Johann Strauss II, Rise Stevens, Anna Moffo, Jeanette Scovotti, Richard Lewis, John Hauxvell, George London, Oscar Danon, Vienna State Opera Orchestra | D Major | 5 | 10B | 171 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act II: Scene I: Deh! Placatevi con me | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | E♭ Major | 2 | 5B | 65 BPM | ||
| Tragedia en el Bol Vacío | The paw harmonic | B♭ Major | 1 | 6B | 92 BPM | ||
| Non so più (Le nozze di Figaro) | Rise Stevens | E♭ Major | 2 | 5B | 74 BPM | ||
| Cavalleria rusticana: Part I: Gli aranci olezzano (Women, Men) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B Major | 1 | 1B | 85 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act III: Aria: "Avvezza al contento" | Christoph Willibald Gluck, Pierre Monteux | A Major | 1 | 11B | 93 BPM | ||
| AMAMI ALFREDO, LA TRAVIATA (feat. Mariam Battistelli) | Mario Conte, Mariam Battistelli | D♭ Minor | 2 | 12A | 108 BPM | ||
| Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Coro, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | D Major | 1 | 10B | 169 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM |