On January 1, 2000, the song "Sugar Foot Stomp" was released by Sid Phillips. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Sugar Foot Stomp's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Best Of Sid Phillips". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Sugar Foot Stomp's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sugar Foot Stomp by Sid Phillips having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| True Confession | Larry Clinton, Bea Wain | B♭ Minor | 2 | 3A | 118 BPM | ||
| Drop Me Off In Harlem | Charlie Barnet, Charlie Barnet & His Orchestra | G Minor | 6 | 6A | 149 BPM | ||
| Tangerine | Jimmy Dorsey & His Orchestra, Bob Eberly, Helen O'Connell | B Minor | 2 | 10A | 155 BPM | ||
| Home Cooking | Eddie Condon | B♭ Major | 5 | 6B | 123 BPM | ||
| Black And Blue | Frankie Laine | A Minor | 3 | 8A | 96 BPM | ||
| Sixty Minute Man | Billy Ward & The Dominoes | E♭ Major | 6 | 5B | 131 BPM | ||
| Doin' the Uptown Lowdown | Isham Jones | G Major | 3 | 9B | 129 BPM | ||
| Sugar Foot Stomp | Bob Crosby & The Bob Cats | G Major | 3 | 9B | 129 BPM | ||
| I Double Dare You | Larry Clinton, Bea Wain | G Major | 3 | 9B | 129 BPM | ||
| My Old Flame | Guy Lombardo | G Major | 1 | 9B | 124 BPM | ||
| Mister Five By Five - Alternate Take | Ella Mae Morse | G Major | 3 | 9B | 129 BPM | ||
| Steppin' in Society | Sid Phillips | B♭ Major | 3 | 6B | 124 BPM | ||
| Manhattan Spiritual | Reg Owen | A♭ Major | 4 | 4B | 98 BPM | ||
| Nightfall | Benny Carter | B♭ Major | 1 | 6B | 62 BPM | ||
| The Patty Cake Man | Ella Mae Morse | G Major | 3 | 9B | 129 BPM | ||
| Till the Cows Come Home | 4Bars | C Major | 3 | 8B | 110 BPM | ||
| Sugar Beat | Sid Phillips | F Minor | 4 | 4A | 102 BPM | ||
| Flying Home | Lionel Hampton | A♭ Major | 4 | 4B | 172 BPM | ||
| Boppin' in a Western Kind of Way | Jerry Burnham, Rick Dougherty, Don Burnham, Jim Rothermel, Paul Anastasio, Patty Kistner, Chuck Aronson, Wayde Blair, Tony Marcus, Bob Shulz, Mark Holzinger, Bobby Black, Scott Lawrence, Bing Nathan, Trey Sabatelli, Bob Mielke | G Major | 3 | 9B | 105 BPM | ||
| I Lost My Sugar in Salt Lake City | Leon Rene, Johnny Lange, Stan Kenton, Anita O'Day, Stan Kenton & His Orchestra | B♭ Minor | 2 | 3A | 56 BPM | ||
| Tuxedo Junction | Erskine Hawkins & His Orchestra | B♭ Major | 3 | 6B | 147 BPM | ||
| Caldonia | Woody Herman & His Orchestra | F Minor | 8 | 4A | 133 BPM | ||
| Eager Beaver | Stan Kenton & His Orchestra | F Minor | 3 | 4A | 151 BPM | ||
| Blue Skies Are Around The Corner | Jack Hylton & His Orchestra | G Major | 4 | 9B | 133 BPM | ||
| Party's over Now, The (Words and Music) | Noel Coward | C Major | 1 | 8B | 92 BPM |