"Pagliacci / Act 1: "Nedda! Silvio!...E allor perché"" by Ruggero Leoncavallo, Lorenzo Saccomani, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè had its release date on December 3, 1978. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè's "Leoncavallo: Pagliacci" album is number 8 out of 17. Pagliacci / Act 1: "Nedda! Silvio!...E allor perché" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Nedda! Silvio!...E allor perché" by Ruggero Leoncavallo, Lorenzo Saccomani, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falstaff / Act 3: Tutto nel mondo è burla | Giuseppe Verdi, Geraint Evans, Giulietta Simionato, Ilva Ligabue, Robert Merrill, Mirella Freni, Alfredo Kraus, Rosalind Elias, John Lanigan, Piero de Palma, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Sir Georg Solti | C Major | 5 | 8B | 67 BPM | ||
| Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
| Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | ||
| Carmen (1997 - Remaster), Act II: Eh bien! vite, quelles nouvelles?.....Nous avons en tête un affaire | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 2 | 4A | 83 BPM | ||
| Leoncavallo: Mattinata. L'aurora di bianco vestita | Ruggero Leoncavallo, Enrico Caruso | D♭ Minor | 2 | 12A | 74 BPM | ||
| La traviata, Act I: E strano! – Ah, fors'è lui | Giuseppe Verdi, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Minor | 0 | 4A | 83 BPM | ||
| La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! | Vincenzo Bellini, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 86 BPM | ||
| Pagliacci / Act 1: "Nedda! Silvio!...E allor perché" | Ruggero Leoncavallo, Lorenzo Saccomani, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | D♭ Major | 2 | 3B | 68 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | G Major | 2 | 9B | 82 BPM | ||
| Il Trovatore / Act 4: "D'amor sull'ali rosee" | Giuseppe Verdi, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 78 BPM | ||
| Tristan und Isolde, WWV 90 / Act 1: "Tristan! - Isolde! Treuloser Holder!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 5 | 8B | 94 BPM | ||
| Aprile (Orch. Faris) | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | D♭ Major | 2 | 3B | 71 BPM | ||
| Il trovatore, Act I: Di due figli – Abbietta zingara – Sull'orlo dei tetti | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 105 BPM | ||
| Carmen / Act 1: Choeur: "Au secours!" | Georges Bizet, Alexander Malta, Jean-Noel Sissia, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D Major | 3 | 10B | 109 BPM | ||
| Il trovatore, Act III: Or co' dadi | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 158 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
| Lucia di Lammermoor / Act 3: Ohimè! Sorge il tremendo fantasma | Gaetano Donizetti, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | B Major | 3 | 1B | 86 BPM | ||
| Manon / Act III: "Suis-je gentille ainsi?" / "Obéissons, quand leur voix appelle" | Jules Massenet, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, Wiener Staatsopernchor | G Major | 1 | 9B | 104 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
| Pagliacci / Act 1: "Sei là" - "So ben che difforme" - "Oh! lasciami" | Ruggero Leoncavallo, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 2 | 12B | 127 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Madama Butterfly / Act 2: Udiste? | Giacomo Puccini, Michel Sénéchal, Robert Kerns, Giorgio Stendoro, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 68 BPM |