Ravindra Jain's 'Maun Tapasvi Ne Rakha Mantra Padhe Aacharya' had a release date set for January 1, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ravindra Jain's "Lanka Kaand" album is number 31 out of 94. On top of that, India appears to be the country where this track was created. Maun Tapasvi Ne Rakha Mantra Padhe Aacharya is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Maun Tapasvi Ne Rakha Mantra Padhe Aacharya by Ravindra Jain to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mangal Bhavan Amangal Hari | Mishra Bandhu | A Major | 9 | 11B | 158 BPM | ||
| Khatu Shyam Stuti (Hath Jod Vinti Karu Sunio Chit Lagaye) | Bhakti Bhajan Sangrah | A♭ Minor | 6 | 1A | 80 BPM | ||
| Shree Ram Stuti | Nitin Mukesh | G Minor | 5 | 6A | 101 BPM | ||
| Rawan Ka Tap Khadit Kina - Part 4 | Rakesh Kala | D Major | 7 | 10B | 82 BPM | ||
| Bhaye Pragat Kripala Deen Dayala | Arpit Srivastava | B Major | 5 | 1B | 130 BPM | ||
| Shabri Magan Hai Ram Bhajan Mein | Tripti Shakya | F Minor | 9 | 4A | 80 BPM | ||
| Bata Mere Yaar Sudama Re | Vidhi Deshwal, Isha, Muskan, Rinku, Manisha, Sheetal | E♭ Minor | 7 | 2A | 135 BPM | ||
| Dukh Mein Sumiran Sab Kare | Satyendra Pathak | A♭ Minor | 7 | 1A | 97 BPM | ||
| Hamne Jag Ki Ajab Tasveer Dekhi | Pradeep | B Minor | 5 | 10A | 142 BPM | ||
| Vrindavan Dham Apar | Mridul Krishan Shastri | F Major | 7 | 7B | 146 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM | ||
| Main Pardesi Hoon Pahli Baar Aaya Hoon | Madhushmita, Parthiv Goel | A♭ Major | 7 | 4B | 86 BPM | ||
| Sainath Tere Hazaron Haath | Mohammed Rafi, Usha Mangeshkar | F Major | 5 | 7B | 89 BPM | ||
| Nirdhan Kahe Dhanwan Sukhi | Satyendra Pathak | C Minor | 6 | 5A | 100 BPM | ||
| Tum Besahara Ho - Sad | Manna Dey, Laxmikant–Pyarelal | D Major | 9 | 10B | 123 BPM | ||
| Badi Dur Teri Gokul Nagri | Mridul Krishan Shastri | E Major | 5 | 12B | 137 BPM | ||
| Ganga Tera Pani Amrit | Mohammed Rafi | B♭ Major | 6 | 6B | 65 BPM | ||
| Geeta Gyan 17 - Prem Avtar | Ravindra Jain | G Major | 2 | 9B | 99 BPM | ||
| Hey Gopal Krishna Karu Aarti Teri | Chetna | B♭ Minor | 5 | 3A | 123 BPM | ||
| Mera Koi Na Sahara Bin Tere | Rajkumar Vinayak | A♭ Major | 9 | 4B | 99 BPM | ||
| Ram Bhi Milenge Tujhe Shyam Bhi Milenge | Lakhbir Singh Lakkha | A♭ Minor | 6 | 1A | 122 BPM | ||
| Geeta Gyan 8 - Vijaya Paraj Ay Jaan Saman Tabhi Teri Yog Mein Priti Hogi | Ravindra Jain, Satish Dehra | F Minor | 5 | 4A | 149 BPM | ||
| Mero Radha Raman Girdhari Govind Mero Hai Gopal Mero Hai | Sachin Limaye, Ami Joshi | B♭ Minor | 5 | 3A | 75 BPM | ||
| Alakh ke Amal Par | NARAYANSWAMI | A♭ Major | 5 | 4B | 123 BPM | ||
| Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM |