"Sleep (orch. Jim Clements)" by Eric Whitacre, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith had its release date on May 24, 2024. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. Since Sleep (orch. Jim Clements) only contains only one song in the album, we like to consider this song as a single. Sleep (orch. Jim Clements) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sleep (orch. Jim Clements) by Eric Whitacre, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beatus vir | Levente Gyöngyösi, Pro Musica, Szabó Dénes | C Major | 1 | 8B | 106 BPM | ||
| Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
| Be Still My Soul (Finlandia, Op. 26) [Arr. for vocal ensemble by Nick Ashby] | Jean Sibelius, The King's Singers | E♭ Major | 1 | 5B | 142 BPM | ||
| Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
| Tippett: Five Negro Spirituals (from A Child of Our Time) - Steal Away | The Chapel Choir of Pembroke College, Cambridge | G Major | 1 | 9B | 59 BPM | ||
| Song 20 - Arr. for Vocal Ensemble by Timothy Roberts & Patrick Dunachie | Orlando Gibbons, The King's Singers, Jeremy West | A Minor | 1 | 8A | 82 BPM | ||
| A Prayer of Desmond Tutu | James Whitbourn, Desmond Tutu, Commotio, Andrew Ker, Steffan Jones, Matthew Berry | D Major | 1 | 10B | 92 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| God So Loved the World | John Stainer, Choir of St. John's College, Cambridge, Andrew Nethsingha | D Major | 1 | 10B | 81 BPM | ||
| Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Choir of St. John's College, Cambridge, Cambridge, Andrew Nethsingha, Graham Walker, Timothy Ravalde | D♭ Major | 0 | 3B | 141 BPM | ||
| To Sing of Love - A Triptych: I. Effortlessly | Taylor Scott Davis, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | A Major | 1 | 11B | 94 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Singer Pur | D Minor | 0 | 7A | 67 BPM | ||
| Mille regretz | Josquin des Prez, Stile Antico | F♯ Minor | 1 | 11A | 86 BPM | ||
| Chichester Psalms: I. Psalm 108:2, Urah, hanevel, v'chinor! - Psalm 100, Hariu l'Adonai kol haarets | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Psalm 121 | Stellenbosch University Choir | D♭ Major | 0 | 3B | 129 BPM | ||
| Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
| Considering Matthew Shepard, Passion: No. 15, We Are All Sons (Part 1) | Craig Hella Johnson, Michael Dennis Browne, Conspirare | E Major | 0 | 12B | 136 BPM | ||
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| Our Father | Alexander Gretchaninoff, The Wartburg Choir, Dr. Lee Nelson | E Major | 1 | 12B | 83 BPM | ||
| All Is Miracle | Kyle Pederson, Transept, Timothy J. Campbell, Savannah Porter, Clara Osowski, Paul Sánchez | D♭ Major | 1 | 3B | 80 BPM | ||
| And the Swallow | Caroline Shaw, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | B♭ Minor | 1 | 3A | 90 BPM | ||
| Stardust | Taylor Scott Davis, VOCES8 | B Minor | 0 | 10A | 58 BPM | ||
| Spem In Alium (Tallis) | The King's Singers | B♭ Major | 2 | 6B | 138 BPM | ||
| Rudens Dziesma | Jānis Ivanovs, Youth Choir "Kamer...", Jurģis Cābulis | D Major | 1 | 10B | 132 BPM | ||
| Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM |