- BPM
- 61
- Key
- A♭ Minor
- Camelot
- 1A
Adagio Sostenuto by Essential Band Song Details
"Adagio Sostenuto" by Essential Band had its release date on June 12, 2020. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The song is number 2 out of 16 in Baby's Essential Soothing Classics by Essential Band. Going off of the ISRC code of this track, we detected that the origin of this track is from South Africa. Adagio Sostenuto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Adagio Sostenuto by Essential Band is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.195 dB
- Acousticness
- 99%
- Danceability
- 9%
- Energy
- 12%
- Instrumentalness
- 91%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Divertmento n.1 in Re Maggiore K 136 | Chamber Orchestra Armonie | C Major | 1 | 8B | 176 BPM | |
 | Offenbach: Les Contes d'Hoffmann, Act 4: No. 13, Barcarolle "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Studio 2 Symphony Orchestra, Vilem Tausky | D Major | 0 | 10B | 116 BPM | |
 | Aura (Instrumental) | Essential Band | G Major | 2 | 9B | 135 BPM | |
 | "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Libor Pešek, Slovac Philharmony | F♯ Minor | 1 | 11A | 156 BPM | |
 | Concerto in F Major, S. 234: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Budapest Philharmonic Orchestra, Janos Sandor | E Major | 1 | 12B | 139 BPM | |
 | Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | |
 | The Marriage Of Figaro, Overture K. 492 | Hollywood Strings Orchestra | D Major | 2 | 10B | 145 BPM | |
 | Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | E Major | 0 | 12B | 73 BPM | |
 | Slawische Tänze, op. 46, Nr. 10 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | E Minor | 2 | 9A | 104 BPM | |
 | Adagio for Organ & Strings G Minor | Tomaso Albinoni, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | C Major | 4 | 8B | 115 BPM | |
 | Premiere Suite de Symphonies: Rondeau | Jean-Joseph Mouret, Richard Kapp, Philharmonia Virtuosi of New York, Philharmonia Virtuosi | D Major | 4 | 10B | 81 BPM | |
 | Concerto No. 3 in F Major, Op. 8 RV 293, "L'autunno" (Autumn): III. Allegro | Emmy Verhey | C Major | 2 | 8B | 78 BPM | |
 | Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | |
 | Spanish Dance, Op. 23, No. 2, Zapateado | Sarasate, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | |
 | Symphony, " Salomon " , No. 104 in D-Major, Hob.I:104: IV. Finale: Spiriuoso | Slovak Philharmonic, Alfred Scholz | D Major | 2 | 10B | 138 BPM | |
 | Symphony in G Major, Eisen G3, "Sinfonia pastorale": III. Presto | Leopold Mozart, Edward Allen, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 125 BPM | |
 | Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Overture- Grave-Allegro | I Musici Di San Marco, Alberto Lizzio | F Major | 3 | 7B | 120 BPM | |
 | String Quartet No. 62 in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. Poco adagio. Cantabile | Joseph Haydn, Kodály Quartet | G Major | 1 | 9B | 110 BPM | |
 | Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | |
 | Concerto for Strings in G Major, TWV 51:G9: III. Andante | Warmia Symphonic Orchestra, Silvano Frontalini, Giovanni Antonioni | E Minor | 2 | 9A | 54 BPM | |
 | Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | |
 | Cello Concerto No. 1 in G Major: II. Romance (Andantino) | Carl Stamitz, Kurpfalz Chamber Orchestra Ludwigshafen-Mannheim, Klaus-Peter Hahn | A Major | 1 | 11B | 144 BPM |
- ISRC
- ZAVP02005781
- Label
- L-M Records/RCA Records