"Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio" by Felix Mendelssohn, London Symphony Orchestra, Peter Maag had its release date on January 1, 2000. This song appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, Jennifer Vyvyan, Marion Lowe, London Symphony Orchestra, Peter Maag, Female Chorus of the Royal Opera House, Covent Garden's "Mendelssohn: Symphony No.3; A Midsummer Night's Dream" album is number 3 out of 12. In terms of popularity, Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio by Felix Mendelssohn, London Symphony Orchestra, Peter Maag to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne No. 5 in B-Flat Major. Andantino | John Field, John O'Conor | D Minor | 3 | 7A | 156 BPM | ||
| Sinfonia No. 4 in C Minor, MWV N4: II. Andante | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E Minor | 1 | 9A | 129 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto | Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd | F Major | 1 | 7B | 134 BPM | ||
| Paderewski: 6 Humoresques de concert, Op. 14, Cahier I "À l'antique": No. 1, Menuet célèbre | Ignacy Jan Paderewski, Mariam Batsashvili | G Major | 1 | 9B | 106 BPM | ||
| Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
| Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
| Intermezzi, Op. 117: 3. In C-Sharp Minor | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits. Andante (Arr. Kempff for Piano) | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim | E♭ Major | 0 | 5B | 56 BPM | ||
| Forgotten Melodies I, Op. 38: No. 6; Canzona Serenata | Nikolai Medtner, Dmitry Shishkin | B Major | 0 | 1B | 69 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| 3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | C Major | 0 | 8B | 66 BPM | ||
| Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
| Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante | Wolfgang Amadeus Mozart, András Schiff | G Major | 0 | 9B | 67 BPM | ||
| Piano Concerto No. 1 in C Major, Op. 15: III. Rondo (Allegro scherzando) | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker | C Major | 2 | 8B | 144 BPM | ||
| Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM | ||
| Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM |