Rekha Rathod's ' "Tara Mathe Vage Nagara" was released on its scheduled release date, April 8, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Pardeshi Veera". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Tara Mathe Vage Nagara's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tara Mathe Vage Nagara by Rekha Rathod having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Bhaya Madal Vagad Ghadik | Jashvant Rathva | F Minor | 7 | 4A | 110 BPM | ||
| Kala Re Kala Mara | Master Rana | B Minor | 6 | 10A | 164 BPM | ||
| Jilo Toral Kathiyani | Rekha Rathod, Raghuram Dudhrejiya | F♯ Major | 7 | 2B | 105 BPM | ||
| Vidhi Na Lakhiya Lekh | Rekha Rathod, Raghuram Dudhrejiya | F♯ Major | 6 | 2B | 106 BPM | ||
| Amba Abhay Pad Daayni | Suresh Raval, Meena Patel | F♯ Major | 8 | 2B | 143 BPM | ||
| Rea Buggi Datia | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Minor | 7 | 8A | 84 BPM | ||
| Gulab Jamun Bhail Ba Gaal | Ravina Raj, Sudhir Lal Yadav | A Minor | 9 | 8A | 73 BPM | ||
| Dash Divash Ni Maya Lagadi | Gagan Jethva | F Minor | 2 | 4A | 126 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| माताजी का मन्दिर ऊपर मोर बोले || रेखा जांगिड़ कोटा || जोगणिया माताजी भजन | JBB STUDIO LIVE KOTA | F Minor | 10 | 4A | 97 BPM | ||
| Jai Ho Ranjit Hanuman | Babu Rajoriya, Sanjay, Rekha Rathod, Prakash Chauhan, Anil, Mukesh | D♭ Major | 9 | 3B | 113 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Ek Arji Sunjo Siyana Ra Dhaniya | Rekha Parmar, Viru Nehad | B Minor | 5 | 10A | 140 BPM | ||
| Maut Sagho Mithra Yaar | Urs Chandio | A♭ Minor | 8 | 1A | 132 BPM | ||
| Ye Hum Se Na Hoga | Ram Shankar | F♯ Major | 4 | 2B | 122 BPM | ||
| Tu Kaline Kaliyani | Niranjan Pandya, Bhavana Labadiya | G Minor | 5 | 6A | 167 BPM | ||
| Dhola Dhol Manjeera | Vandana Bhardwaj | A♭ Major | 5 | 4B | 89 BPM | ||
| Tou Darka Daen Kayyo | Fozia Soomro | B♭ Minor | 5 | 3A | 107 BPM | ||
| Esa Esa Lagan Likhaya Guruji Mera | Sukhdev Bharti | D♭ Minor | 8 | 12A | 143 BPM | ||
| Halo Butbhavani Maa Na Mandiriye | Kishor Goswami, Rekha Rathod | D Major | 7 | 10B | 130 BPM | ||
| Aabh Ma Zini Zabuke Vijali Re | Suresh Ravad, Rekha Rathod | E Major | 6 | 12B | 93 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Bhomiya Ho Raja | Bhoma Ram Panwar | C Minor | 9 | 5A | 112 BPM | ||
| Ganesh Pat Besadiye | Pankaj Panchal | F Minor | 6 | 4A | 102 BPM |