On 2006, the song "Kala Re Kala Mara" was released by Master Rana. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Shreenathjini Zankhi (Shreenathjini Mala-2)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from India. The popularity of Kala Re Kala Mara is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Kala Re Kala Mara by Master Rana having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anand Vaaja Vage.. Mangal Aarti | Rekha Rawal, Parthiv Gohil | E♭ Major | 4 | 5B | 107 BPM | ||
| SHRI KRISHNA SARNAMM | Nitin Devka | E Major | 6 | 12B | 74 BPM | ||
| Jalkamad Chhadi Jane Bala | Lalita Ghodadra, Arvind Barot | E♭ Major | 6 | 5B | 137 BPM | ||
| MEVAD NA SHRIJI BAVA | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Jevo Gano Tevo Tamaro | જેવો ગણો એવો તમારો | Hari cassettes | F Major | 4 | 7B | 105 BPM | ||
| Aaj Yamunaji Padharya Mare Gher | Ami Joshi | A♭ Major | 5 | 4B | 152 BPM | ||
| Hendne Sori Mehona Gaam Maa | Jagoji Thakor, Vatsala Patil | G Major | 7 | 9B | 119 BPM | ||
| Chhogada Taru Chhogaliyu | Hasmukh Patadiya | F♯ Major | 7 | 2B | 144 BPM | ||
| Parshwa Chintamani Mero Mero | Prashant Shah (Dikubhai) | A♭ Minor | 2 | 1A | 154 BPM | ||
| Aaj Mara Mandiriyama Mhale | Master Rana | F♯ Major | 5 | 2B | 76 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Udja Hans Akela | Master Rana | F Minor | 5 | 4A | 126 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Shree Vishwambhari Stuti - Mataji Ni Stuti | Bipin Sathiya, Jayshree Bhojaviya | A Major | 5 | 11B | 117 BPM | ||
| Vallabh Kulna Vhala Shrinathji | Sachin Limaye, Ami Joshi | E♭ Major | 5 | 5B | 148 BPM | ||
| Jene Angniye Tulsino | Master Rana | B♭ Minor | 5 | 3A | 110 BPM | ||
| Aevi Rudine Rupali | Kanu Patel | D Major | 7 | 10B | 127 BPM | ||
| Meri Radha Rani | Jagadguru Shri Kripalu Ji Maharaj, Sangita Didi | C Major | 4 | 8B | 145 BPM | ||
| Kala Re Kala Mara | Master Rana | B Minor | 6 | 10A | 164 BPM | ||
| Jagne Jadva | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 2 | 5B | 117 BPM | ||
| Hira Moti Sona Chandi Naam Che Jalaram Jogi | Farida Mir | E♭ Minor | 7 | 2A | 80 BPM | ||
| MARA SHRIJI BAVA NE GHANI RE | Nitin Devka | D♭ Major | 5 | 3B | 147 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Chalkata Jaam | Meghna Purohit, Master Rana | B Minor | 7 | 10A | 115 BPM | ||
| Mithu Mithu Boli Ne - From "Ishwar Kya Che?" | Arohi Rana, Master Rana | D♭ Minor | 6 | 12A | 110 BPM |