Shelly Manne And His Friends, Shelly Manne, André Previn, Leroy Vinnegar's ' "Get Me To The Church On Time - Instrumental" was released on its scheduled release date, August 17, 1956. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Shelly Manne & His Friends's "My Fair Lady" album is number 1 out of 8. On top of that, United States appears to be the country where this track was created. Based on our statistics, Get Me To The Church On Time - Instrumental's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Get Me To The Church On Time - Instrumental by Shelly Manne And His Friends, Shelly Manne, André Previn, Leroy Vinnegar to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Night And Day | Billy Taylor | A♭ Major | 3 | 4B | 112 BPM | ||
| Tangerine | Stan Kenton | D Minor | 3 | 7A | 141 BPM | ||
| Ascot Gavotte | Shelly Manne And His Friends | C Major | 4 | 8B | 149 BPM | ||
| Theme: The Bad and the Beautiful | Milt Jackson Quartet | A♭ Major | 1 | 4B | 111 BPM | ||
| Late Lament | Alan Broadbent Trio | B♭ Minor | 2 | 3A | 91 BPM | ||
| You Stepped Out Of A Dream | Eddie "Lockjaw" Davis | A♭ Major | 3 | 4B | 82 BPM | ||
| Between the Keys | Varnish Ritual | G Major | 1 | 9B | 67 BPM | ||
| Morning Brews | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| Cherry Blossom - Remastered | Horace Silver | E♭ Major | 1 | 5B | 100 BPM | ||
| Ondine | Oscar Pettiford | C Major | 2 | 8B | 84 BPM | ||
| Little Beach Mornings | Lisa Hilton | G Minor | 5 | 6A | 104 BPM | ||
| Gromek | Hacke Bjorksten, Bengt Carlson, Jan Johansson, Åke Persson, Svante Turesson | G Minor | 1 | 6A | 63 BPM | ||
| Atrium Lisbon | BitSwing | C Minor | 1 | 5A | 94 BPM | ||
| This Masquerade | Rob Agerbeek Trio | F Minor | 6 | 4A | 91 BPM | ||
| Show Me | Shelly Manne And His Friends | A♭ Major | 0 | 4B | 126 BPM | ||
| Horn Fever | Horn Society | E♭ Major | 3 | 5B | 179 BPM | ||
| Voice Beyond the Door | Smoky Avenue | G Minor | 2 | 6A | 112 BPM | ||
| Easy On The Ear | Twobones, Isla Eckinger | F Minor | 5 | 4A | 133 BPM | ||
| Lover Man | Howard Roberts | D Minor | 2 | 7A | 114 BPM | ||
| Edges of Nature, Pt. XII | Collebot | F Minor | 3 | 4A | 125 BPM | ||
| Side Door Serenade | Milo Crescent | G Major | 3 | 9B | 97 BPM | ||
| Bohemia After Dark | Oscar Pettiford | G Minor | 4 | 6A | 90 BPM | ||
| Soft Laughter Nearby | Tessa Rookey | G Major | 3 | 9B | 97 BPM | ||
| Little T | Förnuft och Känsla | E♭ Major | 1 | 5B | 78 BPM | ||
| 朝日のようにさわやかに | The Great Jazz Trio | A♭ Major | 3 | 4B | 84 BPM |