- BPM
- 87
- Key
- C Major
- Camelot
- 8B
Messiah / Part 1: 18a. "He shall feed his flock" by George Frideric Handel, Arleen Auger, Anne Sofie von Otter, The English Concert, Trevor Pinnock Song Details
"Messiah / Part 1: 18a. "He shall feed his flock"" by George Frideric Handel, Arleen Auger, Anne Sofie von Otter, The English Concert, Trevor Pinnock had its release date on January 1, 1988. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, John Tomlinson, The English Concert Choir, The English Concert, Trevor Pinnock's "Handel: Messiah" album is number 18 out of 51. On top of that, Germany appears to be the country where this track was created. Messiah / Part 1: 18a. "He shall feed his flock" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Messiah / Part 1: 18a. "He shall feed his flock" by George Frideric Handel, Arleen Auger, Anne Sofie von Otter, The English Concert, Trevor Pinnock to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -20.273 dB
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 57%
- Loudness
- 66%
- Speechiness
- 10%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Mary's Lullaby | John Rutter, City of London Sinfonia, The Cambridge Singers | F♯ Major | 0 | 2B | 67 BPM | |
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 | Carol of the Magi | John Rutter, Tim Gill, The Cambridge Singers, Royal Philharmonic Orchestra, Gabriel Crouch | E♭ Major | 1 | 5B | 120 BPM | |
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 | Messiah HWV56, PART 1: He shall feed his flock ... Come unto Him all ye that labour (soprano & alto duet: Larghetto e piano) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Alice Coote, Ailish Tynan | A Major | 1 | 11B | 87 BPM | |
 | Messiah, HWV 56: And the glory of the Lord shall be revealed (Chorus) | George Frideric Handel, Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan, Masaaki Suzuki | E♭ Major | 1 | 5B | 78 BPM | |
 | Messiah: Part 1, For behold, darkness shall cover the earth (Accompagnato, Bass) | The Sixteen | A♭ Major | 1 | 4B | 79 BPM | |
 | Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | |
| Messiah: Part 1, Comfort ye, my people (Accompagnato, Tenor) | The Sixteen | B♭ Major | 1 | 6B | 85 BPM | |
 | Gloria, RV 589: II. Et in Terra pax hominibusn. Andante | Antonio Vivaldi, Rinaldo Alessandrini, Concerto Italiano | C Major | 1 | 8B | 82 BPM | |
 | "Bist du bei mir", BWV 508 | Gottfried Heinrich Stölzel, Kiri Te Kanawa, Christopher Bowers-Broadbent, Olga Hegedus | E♭ Major | 0 | 5B | 128 BPM | |
 | Telemann: Die stille Nacht umschloss den Kreis der Erden, TWV 1:364: No. 6, "Kommet her, ihr Menschenkinder" | Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D Major | 2 | 10B | 124 BPM | |
 | Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesu, Joy of Man's Desiring" (Arr. Balsom for Trumpet, Choir and Organ) | Alison Balsom, Tom Etheridge, Choir of King's College, Cambridge | G Major | 2 | 9B | 73 BPM | |
 | Es ist ein Ros' entsprungen | Michael Praetorius, Vox Luminis, Lionel Meunier, Bart Jacobs, Philippe Froeliger | F Major | 0 | 7B | 76 BPM | |
 | Les fêtes d'Hébé / Act 2: Air tendre - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D♭ Minor | 0 | 12A | 107 BPM | |
 | Rombi: Ave Maria | Philippe Rombi, Natalie Dessay, London Symphony Orchestra | F Minor | 1 | 4A | 111 BPM | |
 | Requiem, K. 626: VI. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | |
 | Ave Maria | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Minor | 1 | 8A | 87 BPM | |
 | Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Catherine Denley, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 2 | 5B | 144 BPM | |
| Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 70 BPM | |
 | But Thanks Be To God - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | E♭ Major | 1 | 5B | 105 BPM | |
 | Concerto Grosso In F Minor, Op.1, No.8 "Christmas Concerto": 1. Largo - Grave | Pietro Locatelli, Thomas Brandis, Emil Maas, Dietrich Gerhardt, Hans Priem, Ottomar Borwitzky, Wolfgang Meyer, Waldemar Döling, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 89 BPM |
- ISRC
- DEF058830012
- Label
- L-M Records/RCA Records