Arthur Sullivan, Thomas Round, John Reed, Kenneth Sandford, Donald Adams, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's ' "Oh, Gentlemen Listen I Pray" was released on its scheduled release date, January 1, 2011. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Oh, Gentlemen Listen I Pray's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 16 out of 456. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Oh, Gentlemen Listen I Pray is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Oh, Gentlemen Listen I Pray by Arthur Sullivan, Thomas Round, John Reed, Kenneth Sandford, Donald Adams, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM | ||
| Pheasants' Chorus (I Pagliacci) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | C Major | 1 | 8B | 117 BPM | ||
| Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | ||
| Bizet: Carmen, WD 31, Act 4: "À deux cuartos ! À deux cuartos !" (Chœur, Zuñiga, Une marchande, Un bohémien) | Georges Bizet, Michel Plasson, Anne Gotkovsky, Didier Chevalier, Les Éléments, Nicolas Cavallier, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 2 | 9B | 74 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Offenbach: La Belle Hélène, Act 2: Duo. "C'est le ciel qui m'envoie" (Hélène, Pâris) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Les Musiciens du Louvre | E Major | 1 | 12B | 90 BPM | ||
| H.M.S.Pinafore: Never mind the why and wherefore | Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM | ||
| Songs of Travel: The Vagabond | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | B♭ Minor | 1 | 3A | 107 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
| 21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 83 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| The Mikado / Act 1: 11. So Please You, Sir, We Much Regret | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 116 BPM | ||
| Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) "A moi les plaisirs" (Faust, Méphistophélès) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| The Queen of Spades, Op. 68: Introduction | Pyotr Ilyich Tchaikovsky, Boris Khaikin, Bolshoi Theatre Orchestra | D Major | 2 | 10B | 176 BPM | ||
| Messa di Gloria: Qui tollis peccata mundi | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Trial by Jury: When I, Good Friends… (Judge, Chorus) | Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, Donald Maxwell, Chamber Choir of the Royal Welsh College of Music and Drama | D Major | 2 | 10B | 86 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM |