Oh, Gentlemen Listen I Pray
Arthur Sullivan, Thomas Round, John Reed, Kenneth Sandford, Donald Adams, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey
Gilbert & Sullivan Collection
2:47 January 1, 2011
BPM
103
Key
E♭ Major
Camelot
5B

Embed

Share Link

Oh, Gentlemen Listen I Pray by Arthur Sullivan, Thomas Round, John Reed, Kenneth Sandford, Donald Adams, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey Song Details

Arthur Sullivan, Thomas Round, John Reed, Kenneth Sandford, Donald Adams, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's ' "Oh, Gentlemen Listen I Pray" was released on its scheduled release date, January 1, 2011. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Oh, Gentlemen Listen I Pray's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 16 out of 456. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Oh, Gentlemen Listen I Pray is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Oh, Gentlemen Listen I Pray by Arthur Sullivan, Thomas Round, John Reed, Kenneth Sandford, Donald Adams, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-18.752 dB
Acousticness
96%
Danceability
48%
Energy
9%
Instrumentalness
0%
Liveness
9%
Loudness
69%
Speechiness
3%
Valence
45%

Recommendations

TrackArtistKeyEnergyCamelotBPM
H.M.S. Pinafore / Act 2: Farewell, my own by Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore GodfreyH.M.S. Pinafore / Act 2: Farewell, my ownArthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore GodfreyC Major28B89 BPM
Pheasants' Chorus (I Pagliacci) by Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum LjubjlanaPheasants' Chorus (I Pagliacci)Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum LjubjlanaC Major18B117 BPM
Act 1: Scene One: by Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas DelfsAct 1: Scene One:Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas DelfsG Minor16A75 BPM
Bizet: Carmen, WD 31, Act 4: Bizet: Carmen, WD 31, Act 4: "À deux cuartos ! À deux cuartos !" (Chœur, Zuñiga, Une marchande, Un bohémien)Georges Bizet, Michel Plasson, Anne Gotkovsky, Didier Chevalier, Les Éléments, Nicolas Cavallier, Orchestre National Du Capitole De ToulouseE Major012B79 BPM
Emily — No Prisoner Be: No. 15, The Props assist the House by Kevin Puts, Time For Three, Joyce DiDonatoEmily — No Prisoner Be: No. 15, The Props assist the HouseKevin Puts, Time For Three, Joyce DiDonatoG Major29B74 BPM
La Gioconda / Act 1: Feste! Pane! Feste! by Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno BartolettiLa Gioconda / Act 1: Feste! Pane! Feste!Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno BartolettiB♭ Major46B67 BPM
Offenbach: La Belle Hélène, Act 2: Duo. Offenbach: La Belle Hélène, Act 2: Duo. "C'est le ciel qui m'envoie" (Hélène, Pâris)Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Les Musiciens du LouvreE Major112B90 BPM
H.M.S.Pinafore: Never mind the why and wherefore by Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore GodfreyH.M.S.Pinafore: Never mind the why and whereforeArthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore GodfreyB Major31B137 BPM
Songs of Travel: The Vagabond by Ralph Vaughan Williams, Roderick Williams, Iain BurnsideSongs of Travel: The VagabondRalph Vaughan Williams, Roderick Williams, Iain BurnsideB♭ Minor13A107 BPM
Gloria, FP 177: I. Gloria in excelsis Deo by Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, CambridgeGloria, FP 177: I. Gloria in excelsis DeoFrancis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, CambridgeA Minor38A95 BPM
Orfeo ed Euridice / Act 3: Aria: Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?"Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiC Major28B106 BPM
Oh, Better Far to Live and Die by The Pirates Of PenzanceOh, Better Far to Live and DieThe Pirates Of PenzanceF♯ Major42B107 BPM
21. Braid the raven hair, Weave the supple tresses by Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash21. Braid the raven hair, Weave the supple tressesArthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston NashB♭ Major16B141 BPM
Humperdinck : Hänsel und Gretel : Act 1 Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother]Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony OrchestraC Major18B83 BPM
Rossini: Otello, Act I: Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus)Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De StrasbourgA Major111B109 BPM
Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur)Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De LyonA Major211B123 BPM
Bizet: Carmen, Act 1: Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons)Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen StaatsoperB♭ Major16B109 BPM
The Mikado / Act 1: 11. So Please You, Sir, We Much Regret by Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston NashThe Mikado / Act 1: 11. So Please You, Sir, We Much RegretArthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston NashD Major310B116 BPM
Where the Bee Sucks by Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry ChristophersWhere the Bee SucksThomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry ChristophersF♯ Major12B70 BPM
Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) "A moi les plaisirs" (Faust, Méphistophélès)Charles Gounod, Michel Plasson, Orchestre National Du Capitole De ToulouseA Minor18A94 BPM
Laudaste Dóminum, monedas gentes (salmo 116) by Orfeón de MiravallesLaudaste Dóminum, monedas gentes (salmo 116)Orfeón de MiravallesA♭ Major24B82 BPM
The Queen of Spades, Op. 68: Introduction by Pyotr Ilyich Tchaikovsky, Boris Khaikin, Bolshoi Theatre OrchestraThe Queen of Spades, Op. 68: IntroductionPyotr Ilyich Tchaikovsky, Boris Khaikin, Bolshoi Theatre OrchestraD Major210B176 BPM
Messa di Gloria: Qui tollis peccata mundi by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio MorandiMessa di Gloria: Qui tollis peccata mundiGiacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio MorandiF♯ Minor011A97 BPM
Trial by Jury: When I, Good Friends… (Judge, Chorus) by Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, Donald Maxwell, Chamber Choir of the Royal Welsh College of Music and DramaTrial by Jury: When I, Good Friends… (Judge, Chorus)Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, Donald Maxwell, Chamber Choir of the Royal Welsh College of Music and DramaD Major210B86 BPM
Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia by Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre LabinskyRimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of GeorgiaNikolai Rimsky-Korsakov, Boris Christoff, Alexandre LabinskyD Minor17A82 BPM
ISRC
GBF076310476
Label
L-M Records/RCA Records